Barenreiter Beethoven L.V. - Klavierkonzert N°1 In C Op.15 - Piano Reduction
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Summary of This Score
This Bärenreiter critical edition of the Piano Concerto No. 1 in C major, Op. 15 highlights major discoveries made by editor Jonathan Del Mar, a recognized Beethoven specialist. By examining the sources, he identified 17 corrections noted directly in the autograph, but after the work's publication. These modifications, now taken into account, refine the reading of the musical text and provide valuable precision for all those seeking a reliable version, as close as possible to the composer's intentions.
Beyond its scholarly rigor, this score remains firmly oriented towards practical use. The publication offers a piano reduction accompanied by parts, including a separate solo piano part (two copies of the piano part are included). This format facilitates preparation, whether for individual practice, accompaniment, or organizing rehearsals. A comprehensive critical commentary documents the sources consulted and justifies editorial choices, making it a reference tool for demanding pianists as well as teachers and music libraries.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Beethoven, Ludwig van | Genre | Classical score |
| Arranger | Schelhaas, Martin | Languages | English, German |
| Edition | Bärenreiter | Pages | 57/52 |
| Instrumentation | Piano reduction (with parts) | ||
Questions frequently asked
Does this Bärenreiter edition include Beethoven's corrections?
This edition incorporates 17 corrections found in the autograph after the work's publication. The text was prepared based on research by Jonathan Del Mar, a Beethoven specialist.
Which parts are included with the piano reduction?
The publication includes a piano reduction with parts, including a separate solo piano part provided in two copies.
Is this score suitable for preparing a concerto with piano accompaniment?
The piano reduction format allows preparation of the work without an orchestra. A separate solo piano part facilitates the soloist's practice. The two included copies can be used to organize rehearsals.
In which languages are the texts in this score written?
The texts are provided in English and German. The indicated pagination is 57/52 pages.
Who arranged and edited this critical edition?
The arrangement is credited to Martin Schelhaas. The critical commentary documents the consulted sources and editorial decisions of the Bärenreiter edition.
