Barenreiter Fiser Lubos - Sonata Iv
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Summary of This Score
Composed between 1962 and 1964, PIANO SONATA NO. 4 stands as a major work in the piano repertoire of the period, both dense, transparent, and emotionally striking. Dedicated to the memory of the pianist Antonín Jemelík, who died tragically, the work bears the imprint of an intimate homage: the introduction features a brief quotation from Scriabin's Piano Sonata No. 10, Op. 70, followed by a unison octave passage of striking dramatic intensity.
Formally, the sonata is conceived as a single movement but articulated in numerous clearly contrasting episodes. These segments are clearly grouped into two sections: an exposition, where the themes are presented, then a development, where the material is expanded and transformed. The composer favors concentrated thematic work, based almost exclusively on fragmentation, reduction of material, or the superimposition of several ideas, often brief but very expressive. This method, combined with a deliberately sharp execution (melodies with semitonal tendencies and strongly opposed dynamics), gives the score remarkable projection power and readability.
The work was premiered by Pavel Stepán at the Rudolfinum in Prague in 1965. The present edition is based on the only edition available so far (Panton, 1969) and has been compared with the composer's manuscript to clarify certain notation inconsistencies. An ideal score for pianists seeking a demanding, structured, and intensely narrative contemporary sonata.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Fier | Genre | Contemporary score |
| Instrumentation | Piano | ||
Questions frequently asked
Is the sheet music for solo piano?
The sheet music is written for solo piano.
What is the composition period of this Sonata No. 4?
Composed between 1962 and 1964, this sonata belongs to the contemporary classical repertoire. It is dedicated to the memory of pianist Antonín Jemelík.
What form does Luboš Fišer's Sonata IV take?
The sonata is presented in a single movement. Its structure gathers numerous contrasting episodes. The whole is organized into an exposition followed by a development.
Is there a musical quotation in the introduction?
The introduction includes a brief quotation from Scriabin's Piano Sonata No. 10, Op. 70. It is followed by a passage of octaves played in unison.
What source underlies this edition?
The edition is based on the 1969 Panton publication, the only edition available until now. The text was compared with the composer's manuscript to clarify certain notations.



