Barenreiter CHRISTENSEN J.B. - LES FONDEMENTS DE LA BASSE CONTINUE AU XVIIIE SIECLE - CLAVECIN
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Summary of This Method
A method based on period sources, designed to accompany the harpsichordist in an authentic and structured approach. The goal is to rely on historical writings and musical practices of their time to build a solid technique, but above all a stylistically accurate playing, far from the "modern" automatisms sometimes unsuitable for the harpsichord.
Throughout the work, this method emphasizes the fundamentals that make a difference on the instrument: precision of attack, mastery of articulation, management of legato and non-legato, hierarchy of beats, and sense of dance. It allows approaching early music with concrete reference points, useful both for study and interpretation, giving meaning to every musical choice (breathing, phrase direction, voice balance).
Designed for regular practice, it integrates easily into lessons as well as autonomous work. It is suitable for harpsichordists wishing to deepen their understanding of style and refine their keyboard sound while consolidating essential technical foundations. A valuable resource to gain confidence, clarity, and expressiveness in the Baroque repertoire.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Christensen Jesper Boje | Instrumentation | Harpsichord |
Questions frequently asked
Is Jesper Boje Christensen's method intended for harpsichordists?
The indicated instrumentation is harpsichord. The book covers the essential technical foundations needed for performing Baroque keyboard repertoire.
What aspects of harpsichord playing are addressed in this method?
The work focuses notably on the precision of attack, articulation, and the management of legato as well as non-legato. The hierarchy of beats and the sense of dance are also among the interpretative guidelines developed.
Does the method rely on 18th-century historical sources?
The principles of thoroughbass in the 18th century are built upon historical writings and musical practices from that era.
Can this thoroughbass score be used independently?
Regular independent practice is envisioned while also allowing integration into lessons. The instructions aim to guide breathing, phrase shaping, and voice balance.
What musical genre does this Barenreiter publication cover?
The indicated musical genre is classical, with a focus on early music and the Baroque repertoire.



