Barenreiter Moz W.A. - Concerto En La Majeur Kv 622 - Clarinette Piano
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Summary of This Score
Urtext, clarinet and piano reduction
Designed for clarinetists seeking a reliable and musically demanding score, this edition emphasizes textual accuracy and readability. The clarinet and piano reduction provides an ideal playing framework to prepare lessons, auditions, exams, or concerts, while preserving the balance and spirit of Mozart's writing.
The Urtext approach aims to limit non-essential additions, allowing you to build your own interpretation: articulation, phrasing, dynamics, and style can thus be worked on with particular attention to classical tradition. The piano, conceived as a true partner, helps develop listening skills, rhythmic coordination, and quality of dialogue-essential elements in Mozart's music.
Whether you are in specialized study, advanced training, or simply passionate about the classical repertoire, this score offers a solid working tool: it facilitates smooth reading, encourages nuanced playing, and helps refine intonation and line shaping across the entire clarinet range.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Wolfgang Amadeus Mozart | Instrumentation | clarinet, piano |
| Edition | Martin Schelhaas | Genre | classical score |
Questions frequently asked
Is this edition of Concerto KV 622 an Urtext edition?
The edition offers an Urtext version of Wolfgang Amadeus Mozart's Concerto in A Major KV 622, with a reduction for clarinet and piano.
What is the instrumentation of this Mozart score?
The score is designed for clarinet and piano. The piano part provides the reduction of the concerto accompaniment.
Who edited this clarinet concerto edition?
The editorial work is by Martin Schelhaas. This edition focuses on the accuracy of the text and its readability for the clarinet part.
Is the Barenreiter Moz W.A. - Concerto In A Major Kv 622 - Clarinet Piano score suitable for an audition?
Its clarinet-piano format allows preparation for an audition, exam, or concert. The piano accompaniment supports the development of rhythmic placement and musical dialogue.
Can the classical style be worked on with this clarinet-piano reduction?
The Urtext approach limits non-essential additions to Mozart's text. Interpretation can thus be built around articulation, phrasing, and dynamics. Line shaping and intonation can be addressed across the entire clarinet range.



