Barenreiter MOZART W.A. - CONCERTO N°4 EN MIB MAJEUR KV 495 POUR COR ET ORCHESTRE - CONDUCTEUR
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Summary of This Score
This Urtext edition is intended for musicians and conductors seeking a reliable and clear reading of the musical material. Offered in score format, it allows simultaneous following of the solo horn line and the accompanying writing, providing an overall view particularly useful for preparing balances, entrances, articulations, and breaths. The ensemble brings together oboes and horns around a string section, offering an expressive palette that highlights the soloist's singing while maintaining a transparency conducive to detailed work.
The edition is prepared by Franz Giegling, with a presentation designed for practical use: clear layout, continuity of the musical discourse, and markers facilitating sight-reading. This score is suitable both for rehearsal preparation (coordination of sections, setting up dialogues between winds and strings) and individual study (harmonic analysis, voice leading, understanding the role of doublings and counter-melodies). Thanks to the combination "solo horn + winds + strings," this score naturally lends itself to work on phrasing, intonation, and dynamics, while encouraging careful balance between soloist projection and ensemble support.
Technical specifications
| Musical Genre | Classical | ||
| Edition | Score; Urtext Edition | Instrumentation | Solo horn, oboe 1, oboe 2, horn 1, horn 2, strings |
| Editor | Giegling, Franz | ||
Questions frequently asked
Is the horn concerto KV 495 offered in an Urtext edition?
This score is published in an Urtext edition, under the editorial direction of Franz Giegling. The presentation aims for a clear reading of the musical material.
Is this the full score of Mozart's Horn Concerto No. 4?
The format offered is a full conducting score of W. A. Mozart's Horn Concerto No. 4 in E-flat major KV 495.
What instrumentation is included in this horn and orchestra score?
The ensemble includes a solo horn, two oboes, two horns, and the strings. The score allows following simultaneously the solo part and the orchestral accompaniment.
Can this score be used to prepare orchestral balancing?
The overall view of the score facilitates the balancing work between the solo horn, winds, and strings. Entrances, articulations, and breaths can be prepared from the full writing. The interactions between sections remain directly identifiable in the score.
Does this edition of Mozart KV 495 allow for analytical study?
This edition permits the study of harmonic analysis, voice leading, as well as the role of doublings and counter-melodies in KV 495.
