Barenreiter Moz W.A. - Quuor En Sol Mineur Kv 478 - Piano Violon Alto Violoncelle
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Summary of This Score
Designed for chamber music ensembles, this score includes a full score and separate parts to cover all the needs of a structured rehearsal: ensemble reading, rhythmic setup, voice balance, and articulation work. The instrumentation piano, violin, viola, cello corresponds to a piano quartet, a flagship formation of the classical repertoire, particularly suited to working on dynamics, phrasing, and listening between sections.
The full score allows both the pianist and the strings to visualize the musical architecture and the entrances of each voice, while the separate parts provide essential reading comfort to prepare passages, accompaniment sections, and thematic dialogues. This dual format is a real asset for saving time in rehearsal, especially during tempo, dynamic, and intonation adjustments.
The score highlights the writing of Wolfgang Amadeus Mozart, with a presentation designed for ensemble playing and clarity of lines. The editorial contribution of Federhofer, Hellmut aims to offer reliable and coherent material for musicians wishing to work on Mozart in chamber music, whether in conservatories, advanced amateur practice, or concert settings.
Technical specifications
| Musical Genre | Classical | ||
| Composer | MOZART W.A. | Instrumentation | Piano, Violin, Viola, Violoncello |
| Arranger | Federhofer, Hellmut | ||
Questions frequently asked
Does the Mozart KV 478 edition include the separate parts?
The material includes a full score and separate parts for piano, violin, viola, and cello.
What is the instrumentation of the G minor Quartet KV 478?
The specified ensemble is a piano quartet: piano, violin, viola, and cello. Each section has its own dedicated part, while the full score combines all four voices.
Is this score suitable for chamber music rehearsal?
The inclusion of the full score facilitates locating entrances and understanding the musical structure. The separate parts allow preparation of accompaniment figures and thematic dialogues. The material is thus designed for adjusting tempo, dynamics, and intonation as an ensemble.
Who carried out the editorial revision of this Mozart score?
The editorial intervention is credited to Hellmut Federhofer for this work by Wolfgang Amadeus Mozart.
For which skill levels is this KV 478 edition intended?
This edition is intended especially for conservatory study and advanced amateur playing. Its writing for piano, violin, viola, and cello also suits concert performance contexts.



