Barenreiter Rieding O. - Concerto In B Minor Op.35 - Violoncelle & Piano
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Summary of This Score
This publication is part of the "Bärenreiter's Concert Pieces" series, which offers for the first time concerto arrangements adapted for viola and cello. Designed as a natural extension of the Sassmannshaus string methods, it can also be used independently, as a complement to traditional lessons or conservatory training.
The concerto op. 35 is particularly suitable for cello beginners, as the writing focuses on the first position. This allows the student to concentrate on essential fundamentals such as intonation, left-hand stability, bow attack quality, and articulation, without being hindered by premature position shifts. The chosen transposition aims to simplify execution and make the piece more comfortable to play, while preserving the spirit of a concert repertoire work.
The score includes a piano reduction and the necessary parts to play immediately as a duo (solo cello and piano). It is an excellent resource for working on musicality (phrasing, breathing, dynamics), listening, and rhythmic coordination with accompaniment. The preface, written by Christoph and Kurt Sassmannshaus, presents the work and draws attention to the technical points to master in order to approach interpretation methodically and effectively.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Arranger | Sassmannshaus, Christoph (editor) | Genre | educational score, concert repertoire |
| Edition | Bärenreiter | Language | German, English |
| Instrumentation | solo cello, piano (reduction) | Difficulty | beginner (1st position) |
| Collection | Bärenreiter's Concert Pieces | Pages | 21 (9 + 12) |
Questions frequently asked
Is this concerto suitable for a beginner cellist?
The writing is focused on first position, making this edition intended for beginners. Practice can thus concentrate on intonation, left-hand stability, and bow attack.
Is the piano part included?
The publication includes a piano reduction as well as the solo cello part. Therefore, the cello-piano duo can be performed directly from the provided material.
Rieding Concerto in B minor op. 35: are there any position shifts?
The transposition in this edition has been chosen to simplify performance and keep the piece in first position. Early position changes are therefore not a technical focus of this version.
Which edition is used for this cello concerto?
This score is published by Bärenreiter in the "Bärenreiter's Concert Pieces" series. Christoph Sassmannshaus is the editor, with a preface written in collaboration with Kurt Sassmannshaus.
In which languages is the score published?
The texts of the edition are provided in German and English. The work consists of 21 pages, divided into 9 and 12 pages.
