Barenreiter Schubert F. - Drei Sonaten Op.137 1-3 - Violon Et Piano
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Summary of This Score
Sonata in D for Violin and Piano op. post. 137,1
D 384 Sonata in A for Violin and Piano op. post. 137,2
D 385 Sonata in G for Violin and Piano op. post. 137,3
D 408
This collection brings together the three violin and piano sonatas op. posth. 137 (catalog numbers D 384, D 385, and D 408), often performed as true "sonatinas" due to their combination of melodic freshness and musical rigor. It showcases Schubert's art of the singing line, instantly memorable themes, and refined harmonic writing, serving expressive and balanced chamber music.
Each sonata highlights a natural dialogue between the two instruments: the violin develops flexible phrasing, precise articulation, and a sense of cantabile, while the piano goes beyond mere accompaniment and fully participates in the musical discourse. The movements alternate between luminous passages, more dramatic impulses, and moments of poetic simplicity, providing ideal material for working on ensemble coordination, dynamics, shared breathing, and the construction of a musical narrative.
Whether preparing a concert program, an audition, or chamber music work, these sonatas offer an excellent foundation to consolidate the Classical-Romantic style, gain interpretative maturity, and develop true ensemble rapport. An essential violin-piano score to enrich your repertoire with music that is both accessible, musical, and deeply rewarding to play.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Franz Schubert | Genre | classical score |
| Instrumentation | violin and piano | ||
Questions frequently asked
Which Schubert sonatas are included in this collection?
The collection gathers the three posthumous sonatas op. 137: D 384 in D major, D 385 in A minor, and D 408 in G minor. The indicated instrumentation is violin and piano.
Are these op. 137 sonatas suitable for chamber music practice?
These three works allow for working on ensemble coordination between violin and piano. The movements alternate between bright passages and more dramatic surges. Shared breathing and dynamics are among the performance aspects emphasized.
Does the piano only accompany the violin in sonatas D 384, D 385, and D 408?
In this writing for violin and piano, the piano fully participates in the musical discourse. The violin develops a flexible phrasing and a sense of cantabile.
For which musical use should the Schubert op. posth. 137 sonatas be chosen?
For a recital or the preparation of a concert program, the three sonatas D 384, D 385, and D 408 constitute a classical chamber music repertoire.
What are the Deutsch catalogue numbers of the three sonatas?
The indicated references are D 384, D 385, and D 408.
