Barenreiter Telemann G. P. - 12 Fantaisies TWV 40:2-13 - Flute a Bec Alto
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Summary of This Score
This score offers an adaptation for treble recorder (alto recorder) of the famous "Twelve Fantasias" by Georg Philipp Telemann, originally conceived for solo flute without basso continuo. The arrangement emphasizes playability and musical balance, taking into account the constraints and strengths specific to the recorder: articulation, breathing, phrasing, and clarity of lines.
The work of transposition is a central aspect of this edition: except for numbers 4, 5, and 12, which are transposed up a fourth to suit the recorder's range, the other Fantasias are transposed up a third. This choice, inspired by a practice frequently used in the 18th century, allows the musical discourse to retain its logic while comfortably fitting within the instrument's tessitura.
These Fantasias, written without accompaniment, are particularly valuable for developing the musician's autonomy: breath control, rhythmic precision, management of implied voices, sense of dance, and ornamentation. They appeal as much for their expressive richness as for their pedagogical dimension, and constitute an essential repertoire for working on musicality in solo practice, both at home and in lessons.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Georg Philipp Telemann | Instrumentation | treble recorder (alto recorder) solo |
| Arranger | Manfred Harras | ||
Questions frequently asked
Does this edition suit an alto recorder?
The score is designed solely for alto recorder, also known as treble recorder, without accompaniment.
Are Telemann's 12 Fantasias transposed for alto recorder?
Fantasias No. 4, 5, and 12 are transposed up a fourth. All the others are transposed up a third to fit the alto recorder's range.
Does the TWV 40:2-13 score require a basso continuo?
No bass or accompaniment is provided: the twelve Fantasias are written for solo instrument. The performance relies on implicit voice leading and rhythmic precision. This setup allows for independent work on breath control and phrasing.
Who arranged these Fantasias for alto recorder?
The arrangement for alto recorder is by Manfred Harras, based on Georg Philipp Telemann's Twelve Fantasias.
What technical aspects can be practiced with these Fantasias?
The repertoire covers articulation, breathing, phrasing, dance sense, and ornamentation through 12 solo pieces.



