Behringer 1273
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Essential Information About the Behringer 1273 Mic Preamp
Essential Information About the Behringer 1273 Mic Preamp
- Vintage console sound inspired by the 1073, featuring a 3-band inductance EQ for musical and precise curves.
- Two fully discrete Class A preamplification channels, offering up to 80 dB of gain and a wide dynamic range.
- Custom Midas input/output transformers ensuring clarity, depth, and stereo coherence.
- "Tone" switching to adapt impedance for dynamic or ribbon microphones, plus high-pass filters and LED VU meters per channel.
Manufacturer Information
Behringer
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A Modern Tribute to a Studio Legend
Born to celebrate the sound aesthetic of the legendary 1073, the Behringer 1273 captures the spirit of classic consoles while integrating modern electronic choices. Designed around a discrete Class A circuit and developed with the expertise of an engineer involved at the time, it aims for fidelity to the original character while meeting the demands of modern production (clarity, output level, repeatability).
Who Is This 2-Channel Preamp/EQ For?
Ideal for project studios as well as professional setups, the 1273 excels on vocals, electric and acoustic guitars, overheads, DI bass, and synths. Its gain headroom and "Tone" function make it a reliable choice with low-level microphones, including ribbon models. Dedicated controls per channel speed up workflow during tracking, reamping, or hybrid mixing.
Key Features and Innovations
Preamplification and Headroom: Each channel delivers up to 80 dB of gain via a fully discrete signal path, producing a dense yet defined signal. The Midas transformers create progressive harmonic saturation when pushed, perfect for sculpting vocals or thickening a snare drum.
Musical Equalization: The 3-band inductance section, inspired by classic consoles, allows broad boosts/cuts without harshness. The third-order passive high-pass filter cleans sub-bass frequencies while preserving the low-mid foundation.
Studio Ergonomics: Combo mic/line inputs, front-panel instrument DI, separate switches (phase, tone, insert, line, instrument, phantom power), and 7-segment LED level displays per channel facilitate level alignment and setting repeatability. The 19-inch / 2U rack format fits naturally into any setup.
Technical specifications
| Number of channels | 2 | Rack unit | 2 |
| EQ | 3 channels | ||
| Bass | boost/cut at 35, 60, 110, or 220 Hz | High-pass filter in 5 steps per channel | 50, 80, 160, or 300 Hz |
| Mids | boost/cut at 360, 700, 1,600, 3,200, 4,800, or 7,200 Hz | Separate switches per channel | phase, tone, insert, line, instrument, phantom power |
| Treble | boost/cut at 10,000, 12,000, or 16,000 Hz | ||
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Questions frequently asked
Does the Behringer 1273 provide enough gain for a ribbon microphone?
Each channel delivers up to 80 dB of gain, and the Tone function is designed for low-level microphones, including ribbon models.
What frequency ranges does the 1273's equalizer cover?
The bass band operates at 35, 60, 110, or 220 Hz. The midrange offers six frequencies from 360 Hz to 7,200 Hz. The treble allows boost or cut at 10, 12, or 16 kHz.
Can a bass or guitar be plugged in directly on the front panel?
An instrument DI input is located on the front panel, with a dedicated Instrument switch on each channel.
What high-pass filter settings are available?
The passive third-order high-pass filter offers positions at 50, 80, 160, and 300 Hz per channel.
What rack format and controls are provided?
The chassis occupies 2U in a 19-inch rack. Each channel has separate switches for phase, tone, insert, line mode, instrument, and phantom power. A 7-segment LED display per channel facilitates level monitoring.
