Behringer BM-12 Ring Modulator
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Behringer
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A Vintage Ring Modulator in the "Studio" Spirit of Classic Moog Units
The BM-12 follows the tradition of analog ring modulators popularized by "laboratory"-style effects, notably those used to create bell-like timbres, detuned harmonics, and robotic sounds. In this spirit, Behringer offers a very "instrumental" approach: a wide-range carrier oscillator, an assignable LFO, and connectivity designed to go beyond the classic guitar framework. The result: a pedal that not only "adds an effect" but builds texture, movement, and sometimes even a new signal.
Who Is It For, Which Styles, and In What Contexts?
The Behringer BM-12 Ring Modulator is aimed at curious guitarists (from alternative rock to ambient), keyboardists and electronic musicians, as well as producers who enjoy unpredictable modulations. In the studio, it excels at transforming a simple take into living sound material: bell-like arpeggios, granular drones, "alien" leads, metallic percussions. Live, it becomes a performance tool thanks to the Mix and LFO modulation, perfect for shifting from subtle movement to controlled chaos without losing control.
On a pedalboard, place it after a fuzz or overdrive to thicken harmonics, or before a delay/reverb to send already "mutant" textures into the space. In a synth/modular environment, the CV and Carrier connections open the door to patches much deeper than a standard modulation pedal.
Controls, Modes, and Connectivity: A True Modulation Toolbox
At the heart of the BM-12 is a ring modulation section with Frequency (carrier tuning), Mix (blend between dry and modulated signal), and Drive to push gain and bring out character, from warm to aggressive. The LFO section adds movement: Rate controls speed, Amount controls depth, and a SQUARE/SINE switch allows switching from smoother to more cutting modulation. A second LO/HI switch extends the ring modulator's use from slow, "tremolo-like" effects to higher registers with robotic and metallic clicking tones.
Regarding integration, the BM-12 is designed like a small module: CV (and expression) inputs to control Rate, Amount, Mix, and Frequency, LFO OUT to modulate other devices, and Carrier IN/OUT to route an external source and explore even more radical interactions. All is controlled via a true bypass footswitch, with status LEDs to maintain control on stage.
Sound Character
A ring modulator promises an immediately recognizable sonic signature: metallic brightness, harmonics that seem to "split," and often inharmonic textures reminiscent of bells, gongs, or electronic transmissions. The BM-12 can remain subtle if you dial back the Mix and use slow modulation, but it quickly becomes spectacular as you increase Frequency and Amount. Drive adds a touch of saturation useful for thickening the signal and better "anchoring" the effect in a mix, especially on guitar. On synths, the pedal reveals its full personality: futuristic timbres, cyclic movements, and experimental sounds at the edge of sound design.
Technical specifications
| Effects | Ring modulation | Type | sector |
| Technology | Analog | Use | electric guitar |
| Format | Pedal | Color | Black |
| Effect pedal | ring modulator | LFO OUT | 6.35mm TRS jack, 680 ohms impedance, CV output approximately +/-2.8 V |
| Circuit | analog | CARRIER IN | 6.35mm TRS jack, 1 megaohm impedance, CV input 0 V to +5 V |
| Bypass | true bypass | CARRIER OUT | 6.35mm TRS jack, 200 ohms impedance, CV output approximately +/-2.8 V |
| Potentiometers | Drive, Mix, Frequency, Amount, Rate | Frequency response | 20 Hz to 20 kHz, +0/-0.3 dB |
| Switches | LO/HI, SQUARE/SINE | Dynamic range | greater than 81 dB (20 Hz to 20 kHz) |
| Footswitch | bypass | Signal-to-noise ratio | greater than 81 dB |
| Audio input | 6.35mm TS unbalanced jack | Overall gain | +15 dBu |
| Input impedance | 1 megaohm | Enclosure | metal with wooden side panels |
| Audio output | 6.35mm TS unbalanced jack | Dimensions (H x W x D) | 85.9 x 147.6 x 196.9 mm |
| Output impedance | 330 ohms | Weight | 1017 g |
| RATE | 6.35mm TRS jack, 68 kiloohms impedance, CV input 0 V to +10 V | Required power supply | 9 V DC, center negative |
| AMOUNT | 6.35mm TRS jack, 840 kiloohms impedance, CV input 0 V to +5 V | Current required | minimum 400 mA |
| MIX | 6.35mm TRS jack, 38 kiloohms impedance, CV input 0 V to +5 V | Power consumption | 0.7 W |
| FREQ | 6.35mm TRS jack, 69 kiloohms impedance, CV input 0 V to +5 V | Battery operation | no |
Questions frequently asked
Behringer BM-12: what sounds does this pedal produce?
The ring modulation section creates metallic tones, inharmonic harmonics, and bell-like textures. The LO/HI switch extends the carrier from slow sweeps to robotic sounds, while the Drive adds gain to the signal.
Is the BM-12 compatible with a guitar and a synthesizer?
The 6.35 mm TS audio input has an impedance of 1 megaohm, suitable for use with electric guitar as specified. The pedal is also intended for keyboard players and electronic musicians. The Carrier In/Out jacks allow integration of an external source for more advanced routing.
What CV connections are available on the BM-12?
The RATE, AMOUNT, MIX, and FREQ jacks accept control voltages, with ranges of 0 to +10 V for Rate and 0 to +5 V for the other three. An LFO output provides a CV of approximately ±2.8 V to modulate an external device.
Where to place a BM-12 ring modulator in a pedalboard?
On a pedalboard, this model can be placed after a fuzz or overdrive to thicken harmonics. A delay or reverb placed after the pedal helps to spatialize the already modulated textures.
What are the dimensions and construction of the pedal?
The metal enclosure with wooden side panels measures 85.9 × 147.6 × 196.9 mm and weighs 1,017 g.



