Behringer TD-3-MO-SR
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Essential Information About the Behringer TD-3-MO-SR Synthesizer
Essential Information About the Behringer TD-3-MO-SR Synthesizer
- "Modded Out" tribute inspired by the TB-303 with analog VCO and ultra-resonant 4-pole filter
- 16-step/7-track sequencer, up to 250 patterns per track, arpeggiator, and post-VCA "Muffler" distortion
- Built-in mods: Sub-Oscillator, Filter FM, extended Slide Time, Accent Sweep/Speed, Filter MIDI CC
- Poly Chain up to 16 voices, extensive CV/Gate patchbay, MIDI DIN & USB for studio and stage use
Manufacturer Information
Behringer
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A Classic Acid Synth Reimagined in the Behringer Range
The TD-3-MO-SR modernizes the famous Bass Line concept by integrating the most popular mods right from the factory. Positioned above the standard TD-3, it retains the analog character and instant ergonomics while unlocking a much broader sonic potential for acid basslines and percussive textures.For Creators of Acid Bass, Techno, and Beyond
Ideal for electro, acid house, techno, synthwave, EBM producers, or live sound designers, the TD-3-MO-SR suits both beginners and advanced users. Its direct workflow, range of accents and slides, and patchbay make it an agile companion in the studio, on stage, or for modular experimentation.Technical specifications
| Arpeggiator | Yes | Vocoder | No |
| Sampler | No | Category | Analog synth |
| Max polyphony | 1 | Number of keys | 12 |
| Velocity sensitive | No | Key format | button |
| MPE compatible | No | MIDI I/O | IN, OUT (DIN), MIDI PAR USB |
| Number of oscillators | 1 | Inputs | Midi, CV in, Gate in, Sync In, USB Midi |
| Semi-modular | Yes | Outputs | Jack, USB Type B, CV out, Gate out, 3.5 mm headphone |
| Synthesis type | Analog, Subtractive | ||
| Voice count | monophonic | Headphone output impedance | 15 ohms |
| Oscillators | 1 VCO (sawtooth, square) + switchable Sub-Oscillator | Type | USB 2.0 compliant, type B |
| VCF | 1 resonant 4-pole low-pass filter (24 dB/Oct) | Supported operating systems | Windows 7 or later; macOS X 10.6.8 or later |
| Envelopes | 1 | Filter In | -6 V to +6 V |
| Power input | DC input connector | Filter FM In | 0 V to +12 V |
| Power switch | push-button on/off switch | Filter CV In | 0 V to +12 V |
| MIDI DIN | MIDI input and output (5-pin) | Accent In | off 0 V, on +12 V |
| USB (MIDI) | USB 2.0, type B | Slide In | off 0 V, on +3.3 V |
| Line output | 6.35 mm TRS jack, unbalanced, max. level +8 dBu | Gate In | off 0 V, on +3.3 V |
| Output impedance | 1.5 k ohms | CV In | +1 V to +5 V |
| Headphone output | 3.5 mm TRS mini-jack, max. 50 mW/32 ohms (1 kHz, 1% THD) | Sync In | greater than 2.5 V |
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Customer reviews
Based on 4 reviews
- 5 stars, 4 reviews
- 4 stars, 0 reviews
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Mythical war machine. A vastly improved copy of TB 303. A monster from the Acid scene, but not only... Try âambient âsequences, it's worth the trip! Cannon!
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I already had a TD-3 so that helps, I also bought it because I like this slightly quirky equipment!
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Perfect replica and even better. For the price, it's just great
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good quality products
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Questions frequently asked
Is the Behringer TD-3-MO-SR monophonic?
The synthesis is monophonic and is based on an analog VCO offering sawtooth and square waveforms. A switchable sub-oscillator reinforces the bass frequencies.
What filter does the TD-3-MO-SR use?
The filter is a 4-pole 24 dB/octave resonant low-pass, with Filter FM control and a Filter CV input accepting from 0 to +12 V.
What MIDI and CV connectivity is available?
Connectivity includes 5-pin MIDI DIN In/Out ports and a USB 2.0 type B port for MIDI. CV, Gate, and Sync inputs allow integration into a modular system. CV and Gate outputs are also present, along with a 6.35 mm TRS line output.
How many patterns can the sequencer store?
Seven tracks can each hold up to 250 patterns, which can be programmed step-by-step or in real time. An arpeggiator is integrated.
What sound modifications does the MO version provide?
A sub-oscillator, a variable slide time up to 6x, and three Sweep Speed settings expand acid line creation. The post-VCA Muffler distortion and dedicated overdrive add bass-rich saturation.
