Billaudot Casterede Jacques - Theorie De La Musique
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Summary of This Book
This Music Theory book includes all the concepts expected from a reference work: reading and notation, meter and rhythm, interval construction, as well as the principles of tonality. The progression is designed to consolidate the basics while providing real analytical tools, useful both for the musician in training and the practitioner wishing to clarify or review their knowledge.
The uniqueness of this book lies in the presence, following each chapter, of a commentary titled "To Learn More". These supplements shed light on the origins of rules and practices: why certain conventions became established, how writing or interpretation choices stabilized, and what musical logics (historical or technical) lie behind reflexes often learned "by heart." The result: theory becomes more coherent, easier to memorize, and above all, more musical.
An important appendix broadens the scope to areas generally absent from traditional theories. It notably addresses Gregorian notation, medieval modality, as well as techniques and signs that appeared in the 20th century : diatonic and chromatic modalities, twelve-tone serialism, aleatory music, special notations, not to mention guitar chord symbols in jazz. The whole is illustrated by numerous examples borrowed from classical and contemporary composers, immediately linking concepts to actual writing.
Technical specifications
| Theme | Theory - Harmony | ||
| Instrumentation | all instruments | Language | French |
| Genre | musical training, music theory | ||
Questions frequently asked
What topics in music theory are covered in this book?
The book covers reading, notation, meter, rhythm, interval construction, and the principles of tonality.
Is Jacques Casterède's Music Theory suitable for all instruments?
This method is intended for all instruments. Its content focuses on musical training and theory without being limited to any specific instrumental practice.
Are the theory rules explained beyond basic exercises?
Each chapter is followed by a "For further understanding" commentary. These supplements explain the origin of certain rules and conventions in notation or interpretation. Concepts are illustrated with examples from classical and contemporary composers.
Does the book address jazz and 20th-century music?
An appendix presents guitar chord notation in jazz, as well as twelve-tone serialism, aleatory music, and special notations of the 20th century.
Are medieval modality and Gregorian chant included?
The annex covers Gregorian notation and medieval modality. The diatonic and chromatic modes are also addressed there.
