Billaudot Connesson Guillaume - Les Belles Heures - Reduction
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Summary of This Score
Designed in three movements, this concerto for oboe offers a true sonic dramaturgy around three "poetic states" of the day: The Blue Hour, The Exquisite Hour, and The Fleeting Hour. Together, they form a fresco where the solo oboe traverses changing atmospheres, carried by an orchestra that is alternately shimmering, trembling, and rhythmically incandescent. Ideal for musicians seeking an oboe concerto score that is both expressive and structured, the work relies on clearly identifiable themes and evocative orchestration.
The first movement, The Blue Hour, the most developed, is based on two contrasting themes: a first disjointed and delicate motif presented by the soloist, then a second very lyrical theme entrusted to the violins. The development alternates between a scherzando spirit and more lyrical episodes, culminating in an oboe cadenza accompanied by a vibrant orchestra. The recapitulation, after a strong and exultant return of the first theme, calms into an orchestral shimmering, as if nature gently withdraws after its rustlings and whispers.
The second movement, The Exquisite Hour, adopts a ternary form with a dreamy character. The oboe line becomes a confidant, then the central section, set on a D pedal, gives the impression that time is suspended. The soloist seems weightless, before the final section reprises the initial motif, slowed down and stretched out in a slow ecstasy. A page particularly suited to the work of breath control, phrasing, and color.
The third movement, The Fleeting Hour, imposes an almost continuous pulse on a motif with a funky character. A few more lyrical measures, supported by the harp, offer a breath before the return of a rhythmic trance that ends in the joint frenzy of the soloist and orchestra. An effective, energetic, and brilliant finale that highlights the endurance, articulation, and stage presence of the oboist.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | solo oboe and orchestra | Genre | concerto |
Questions frequently asked
How many movements does Les Belles Heures by Guillaume Connesson have?
The score is structured in three movements: "L’heure bleue," "L’heure exquise," and "L’heure fugitive." Each movement evokes a poetic state of the day. The whole is shaped as a classical concerto for oboe.
Is there an oboe cadenza in the first movement?
The first movement, "L’heure bleue," includes an oboe cadenza accompanied by the orchestra. Two contrasting themes structure the writing, including a singing theme assigned to the violins.
What is the character of L’heure exquise?
The second movement follows a ternary form with a dreamy character. The central section rests on a D pedal point, while the return of the initial motif is slowed down. The work on breath control, phrasing, and timbre is particularly required there.
Is the finale of Les Belles Heures rhythmical?
"L’heure fugitive" is based on an almost continuous pulse and a funky character motif, with a lyrical interlude supported by the harp.
What instrumentation is indicated for this reduction?
The indicated instrumentation is solo oboe and orchestra.



