Billaudot CONNESSON GUILLAUME - TROIS CHIMERES - VIOLONCELLE SEUL
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Summary of This Score
"Les Trois Chimères" draws its strength from the poetry of Gérard de Nerval, whose atmosphere permeates every page: nostalgia, distant lights, and dramatic impulses. Designed as a sonatina in three movements for solo cello, this work offers a highly narrative musical journey, ideal for enriching a solo concert program with a piece that is both evocative and rich in colors.
The first movement, "Delfica," presents itself as a cantilena of great sadness, structured in three sections. The initial theme, dreamy, is introduced with deliberate simplicity, before a central part asserts a more determined motif. The return of the first theme, adorned with variations, reinforces the impression of sparseness and "bare simplicity," intended to resonate with the intense nostalgia of the poem.
At the heart of the work, "Myrtho" surprises with its idea of a "trio for solo cello." The writing combines several sound layers as if three instruments were dialoguing: a nasal and melismatic aulos in the middle register, a Pan flute in the high register, and a percussive playing style achieved through pizzicati and battuto bowing. The whole evokes the "lights of the Orient" and invites the cellist to sculpt color, attack, and resonance.
The finale, "Antéros," takes the form of a furioso where rhythmic virtuosity drives the listening. This energy is briefly suspended by a very intense singing, before the whirlwind resumes, echoing the first line of the poem: "you ask why I have so much rage in my heart." The sonatina is dedicated to Jérôme Pernoo.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | solo cello | ||
Questions frequently asked
Is this sheet music written for solo cello?
The sheet music is designed for solo cello, without any indicated instrumental accompaniment.
What are the movements of Guillaume Connesson's Trois Chimères?
The sonatina consists of three movements: "Delfica," "Myrtho," and "Antéros." Each movement is inspired by the poetry of Gérard de Nerval.
What playing techniques are required in "Myrtho"?
"Myrtho"'s writing overlays several sound layers on a single cello. A middle register evokes a nasal and melismatic aulos, while the high register recalls a Pan flute. The pizzicatos and battuto bowing add a percussive dimension.
Is the "Antéros" finale virtuosic?
The finale takes the form of a furioso based on rhythmic virtuosity. An intense melody briefly interrupts this energy before the movement resumes.
To whom is this sonatina for cello dedicated?
The sonatina is dedicated to cellist Jérôme Pernoo. "Delfica" is structured in three sections, with a varied return of the initial theme.



