Billaudot Girard Anthony - Analyse Du Langage Musical Vol.2 : De Debussy A Nos Jours
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
Billaudot
https://www.billaudot.com
------------------------
Safety manager:
Billaudot
Email:
Address:
Summary of This Book
How to analyze 20th-century music? In this second volume, Anthony GIRARD offers a structured exploration of musical language after Debussy, highlighting essential compositional techniques to understand aesthetics often considered complex. The approach prioritizes efficiency: the analysis systematically starts from a score excerpt to concretely identify compositional processes, their functioning, and their perceptual impact.
The journey begins with a largely developed chapter dedicated to harmony, providing landmarks and tools to approach diverse universes such as those of RAVEL, SCHÖNBERG, BARTÓK, STRAVINSKI, MILHAUD, WEBERN, or MESSIAEN. The goal is to clarify the logics of sound organization, tensions, colors, and construction methods, while remaining deliberately concise to keep the analysis practical.
The book then broadens its scope by multiplying perspectives on other parameters of musical language: melody, rhythm, timbre research, as well as certain aspects of form. This progression allows the acquisition of transferable analytical reflexes, useful both for reading and active listening. The examples feature composers such as PROKOFIEV, VARÈSE, BERG, FRANCK MARTIN, and BRITTEN, then, for the second half of the 20th century, BERIO, OHANA, LIGETI, REICH, MURAIL, and LUTOSLAWSKI. A valuable tool for students, teachers, and musicians wishing to refine their understanding of modern and contemporary writing.
Technical specifications
| Theme | Music theory | ||
| Artist | Anthony GIRARD | ||
Questions frequently asked
Which composers are studied in Analysis of Musical Language Vol. 2?
The excerpts include works by Ravel, Schönberg, Bartók, Stravinsky, Milhaud, Webern and Messiaen, followed by Berio, Ligeti, Reich, Murail and Lutosławski.
Does the book cover harmony after Debussy?
A extensively developed chapter is dedicated to harmony in 20th-century compositions. The study provides reference points for analyzing tensions, sonorities and sound organization methods. The musical worlds from Ravel to Messiaen support this approach.
Is the analysis based on scores?
Each analysis begins with an excerpt from a score to concretely identify compositional techniques and their perceptual effects. This method applies notably to works by Prokofiev, Varèse, Berg, Frank Martin and Britten.
Which musical parameters are addressed besides harmony?
Melody, rhythm, timbre treatment and certain aspects of form complement the chapter on harmony. Compositions by Berio, Ohana, Ligeti and Reich illustrate these various analytical focuses.
What level is Anthony Girard's volume 2 aimed at?
The book is intended for students, teachers and musicians wishing to deepen their analysis of modern and contemporary writings. The course covers the period from Debussy to the latter half of the 20th century.
