Billaudot Rieding Oskar - Concerto Opus 34
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Summary of This Sheet Music
With Concerto opus 34 for viola and piano by Oskar Rieding, originally for violin and piano, transcribed by Frédérick Forti, you have a version specifically adapted to the needs of beginning violists. This transcription allows you to enjoy a concerto widely present in the study repertoire, while respecting the range and technical reflexes specific to the viola.
Designed for an easy level and oriented towards the first cycle, this score is an excellent tool to develop fluency in reading, rhythmic regularity, and sound quality, while working on the soloist-accompanist relationship. The dialogue with the piano helps refine listening, tempo stability, and precision of entrances, essential elements for progress in chamber music and accompanied playing.
In the context of a lesson or audition preparation, this work is particularly relevant for building expressive playing: management of dynamics, phrase direction, clear articulations, and singing melodic passages. It naturally fits into a pedagogical viola program, whether to consolidate technical foundations or to approach a classical-style piece to present in auditions, exams, or student concerts.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Oskar Rieding | Genre | Classical sheet music |
| Arranger | Frédérick Forti | Difficulty | Easy (first cycle) |
| Instrumentation | Viola and piano | ||
Questions frequently asked
Is Rieding's Concerto opus 34 available for viola and piano?
The score is written for viola and piano. It is a transcription of the original work composed for violin and piano.
What skill level is required to play this concerto on the viola?
The indicated level is easy, suitable for an early intermediate stage.
Who arranged the concerto for viola?
The arrangement for viola was made by Frédérick Forti, based on the work by Oskar Rieding.
What technical aspects are focused on with this score?
The work primarily focuses on reading, rhythmic steadiness, and sound quality. Dynamics and clear articulations are also addressed.
Is this work suitable for a viola audition at the early intermediate level?
Within an early intermediate context, the work can be used to prepare an audition. The melodic passages help develop phrase shaping. The dialogue with the piano requires precise entries and tempo stability.
