Blackstar Dept. 10 Amped 3
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Blackstar
https://www.blackstaramps.com
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Hol Music Dral SLU
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A Dept. 10 "amp head" designed for the pedalboard
With the AMPED 3, Blackstar takes the compact amp concept even further: offering a powerful, versatile amplification pedal that's immediately usable live, without sacrificing touch response. Its high headroom design and Class D power section are engineered to maintain presence and punch across very different setups, whether you play through a speaker cabinet, in an amp's return loop, or direct front-of-house via the D.I. and CabRig. The result: a true "fly-ready" rig centerpiece, easy to slip onto a pedalboard.
Who is the AMPED 3 for, and in what contexts does it make a difference?
The AMPED 3 targets guitarists who want to reduce volume and weight of their setup without giving up the feel of an amp. In rehearsal or on stage, it replaces a traditional head while remaining simple to control with your foot. In the home studio, its connectivity (USB and D.I.) allows quick recording, via headphones or monitors, with a "plug and play" approach suitable for both content creators and more serious sessions.
Style-wise, its DNA is clearly oriented towards rock and metal (precise hi-gain, sharp attacks, punchy palm-mutes), but its Clean and Crunch channels also provide a solid foundation for blues, indie, and modern pop. It's also an excellent platform for pedals: overdrives in front, delays and reverbs in the loop, or a multi-effects unit using the 4-cable method depending on your approach.
Controls, channels, presets, and connectivity: a complete rig in a single pedal
The heart of the AMPED 3 lies in its 3 footswitchable channels, each featuring 2 voicings to multiply tonal options without complicating adjustments. The EQ section offers Bass, Middle, Treble, Presence, complemented by the patented ISF (Infinite Shape Feature), ideal for shifting from a "US"-style curve to a more "UK" approach and finding the right mix placement.
The Response selector (EL84, EL34, 6L6) affects playing feel: compression, dynamics, "sag," and how the sound "breaks up" when pushing gain. Add to that a programmable Boost (Pre or Post) with level control to tighten the low end or, conversely, cut through the band in solo. The reverb is footswitchable, with character variations (notably darker or brighter), and advanced editing can be done via Blackstar's "Architect" software.
To adapt to all stages, the AMPED 3 features a CabRig output for direct playing with speaker emulation, a mono XLR D.I. output, and a stereo TRS line output. The low-latency USB-C audio interface simplifies recording, while the effects loop facilitates integration of external modulations, delays, and reverbs. Finally, the presence of MIDI and 2 x 9V DC outputs makes the whole setup very coherent for a modern pedalboard.
Sound
The AMPED 3 delivers a decidedly "amp-like" sound: clear attack, present mids, and an immediate sense of power, especially when connected to an 8 or 16 ohm cabinet. On Clean, you get clear and dynamic foundations, perfect for open chords, arpeggios, and pedal tones. The Crunch ranges from vintage muscular grit to tighter rhythms, while the Overdrive can push toward modern, precise, and dense hi-gain with excellent chord clarity. The Response trio (EL84, EL34, 6L6) is one of the major assets: it changes both tone and feel, helping to adapt playing to the guitar, cabinet, and context. Among artists associated with the AMPED 3 are Petri Lindroos (Ensiferum) and Mark Baldwin (Faintest Idea), confirming its "performance" positioning.
Technical specifications
| Category | electric preamp | EQ | 3-band + presence |
| Technology | Modeling | Headphone output | No |
| Format | Pedal | Color | Black |
| Effects loop | Yes | Power output | 100 W |
| Number of channels | 3 | ||
| Power | 100 W | Cabinet simulation | CabRig |
| Power reduction | 100 W, 20 W, 1 W | USB audio interface | USB-C (4-channel recording) |
| 3 channels | Clean, Crunch, Overdrive | MIDI | mini-jack input and output |
| Response selector | EL84, EL34, 6L6 | Width | 288 mm |
| Programmable Boost | Pre or Post, with level control | Height | 80 mm |
| Presets | memory and recall directly from the unit | Depth | 149 mm |
| Instrument input | 6.35mm Jack | Weight | 1.98 kg |
| Speaker outputs | 6.35mm Jack (8 ohms and 16 ohms) | Power supply | mains 100 V to 240 V AC, 50/60 Hz |
| Line output | stereo TRS | Maximum consumption | 300 W (approx. 1300 mA at 230 V) |
| D.I. output | mono XLR | Pedal power outputs | 2 x 9 V DC, combined max current 500 mA |
Questions frequently asked
Blackstar Dept. 10 Amped 3: what power and speaker cabinets are compatible?
The power section delivers 100 W, with reduction modes at 20 W and 1 W. The 6.35 mm jack speaker outputs are designed for 8 or 16 ohm impedances.
Can it be used for live PA playing with speaker cabinet emulation?
The mono XLR D.I. output and the stereo TRS line output include CabRig simulation for direct connection to a front-of-house or stage monitors.
What channels and sound types are available?
Three footswitchable channels are provided: Clean, Crunch, and Overdrive, each with two voicings. The Response selector (EL84, EL34, or 6L6) affects compression, dynamics, and sag. The EQ includes Bass, Middle, Treble, Presence, and the ISF control.
Can the AMPED 3 record via USB-C?
The USB-C interface supports low-latency 4-track recording. The mono XLR D.I. output is also an option for recording through an external interface.
Can pedals be integrated and the amp controlled via MIDI?
An effects loop allows insertion of delays, reverbs, or external modulation effects. MIDI in and out via mini-jack enable control from a pedalboard, while two 9 V DC outputs supply up to 500 mA combined.



