Bleass Chorus
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Essential Information About BLEASS Chorus Software
Essential Information About BLEASS Chorus Software
- Two-stage chorus to sculpt stereo width, from subtle thickening to highly modulated textures.
- Up to 4 delay lines to add density, movement, and depth.
- Built-in oscilloscope to visualize LFO movements and finely adjust modulation without overloading the CPU.
- Input filter to prepare the signal before processing and control the chorus tone.
Manufacturer Information
Bleass
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What BLEASS Chorus Is For
BLEASS Chorus is a stereo chorus plugin designed to enrich and animate a sound source with a musical and highly modifiable modulation effect. It can be used both in mixing and sound design to thicken vocals, widen guitars, add movement to pads, or create more "liquid" and experimental textures on synths, electric pianos, and effects buses. Thanks to its very wide range of settings, it covers classic needs (subtle chorus, 80s effect, stereo widening) as well as more radical creative treatments.
Main Features
Two-stage chorus for precise stereo
The two-stage chorus emphasizes control over the stereo image. You can keep it very subtle to enhance presence without blurring the attack, or push the modulation for deeper variations with a wide and lively sound. This architecture helps quickly switch from a "mix-ready" chorus to more complex textures while maintaining a sense of spatial control.
Up to 4 delay lines to thicken and texture
BLEASS Chorus can utilize up to 4 delay lines, naturally increasing harmonic richness and the sense of depth. This is particularly effective on monophonic instruments (synth bass, lead, vocals) when the goal is to add body and organic movement, or on already stereo sources to enhance relief without stacking plugins.
Oscilloscope: faster, more reliable adjustment
The oscilloscope provides visual feedback on LFO movements to precisely adjust modulation speed and amplitude. This visualization helps better understand what you hear, avoid "random" settings, and find the right sweet spot faster, especially when looking for a subtle chorus that remains stable in the mix.
Input filter to shape character before modulation
The input filter acts before the chorus to shape the signal and control the tonal character of the effect. Useful to prevent bass frequencies from becoming muddy, to soften an overly bright source, or conversely to target a frequency range for a more present effect. Result: a better integrated, cleaner chorus that's easier to dose according to the track's role.
A versatile chorus: from classic to radical
Designed to be versatile, BLEASS Chorus adapts to many styles and contexts: pop, rock, electronic, ambient, synthwave, as well as post-production and sound design. It can serve as a discreet stereo widening tool, a marked modulation effect for a chorus, or a generator of "unstable" and creative textures when pushing the parameters.
Technical specifications
| Type | Full software | Downloadable | Yes |
| Mac | macOS 10.9 and later (64-bit only), compatible with Intel and Silicon processors | Disk Space | 1 GB |
| Windows | Windows 10 and later | macOS | VST-3, AU, AAX |
| Memory | 8 GB | Wide usage range | from subtle to very intense |
Questions frequently asked
Is BLEASS Chorus compatible with macOS Apple Silicon?
macOS compatibility is ensured from macOS 10.9 64-bit onwards, on both Intel and Apple Silicon processors. VST3, AU, and AAX formats are supported on macOS.
Can this chorus be used on Windows 10?
A configuration running Windows 10 or later is required.
How many delay lines are available in BLEASS Chorus?
Up to 4 delay lines can be used to thicken a vocal, synth bass, or lead. This architecture helps create more depth in the processing.
How to prevent bass frequencies from becoming muddy with a chorus?
The input filter acts before modulation to target the tonal character of the signal. It notably allows attenuation of bass frequencies or softening of an overly bright source. This enables the effect to be blended with greater precision in the mix.
Does the plugin allow for both subtle chorus and more intense effects?
The adjustment range extends from subtle modulation to very intense processing, thanks to the dual-stage chorus and visual control of LFOs via oscilloscope.




