Boosey & Hawkes Stravinsky - Pater Noster No. 29 - Choeur Mixte (satb) A Cappella

Name: Stravinsky - Pater Noster No. 29 - Choeur Mixte (satb) A Cappella
Brand: Boosey & Hawkes
SKU: 89641
Price: 2.00 EUR
Availability: InStock

2,00 €VAT incl.

0,00 € Ecotax included

Reference price

Available on order

Store: on order

Estimated Shipping Widget will be displayed here!

ID : 89641

EAN : 9790060026713

Information

L'essentiel à savoir sur cette partition
• Format court et efficace : 4 pages pour aller droit à l'essentiel, idéal en répétition comme en service.
• Texte en latin : parfait pour le répertoire sacré, liturgique ou choral, avec une diction travaillée et une sonorité traditionnelle.
• Lecture rapide : une mise en place généralement fluide grâce à un contenu concentré, pratique pour compléter un programme.
• Édition historique : publiée en 1949, elle s'inscrit dans une esthétique d'écriture et de gravure typique du milieu du 20e siècle.

Stravinsky - Pater Noster No. 29 - Choeur Mixte (satb) A Cappella

2,00 €VAT incl.

0,00 € Ecotax included

Reference price

Technical specifications

Musical Genre

Classical

Publication

Sheet music

Questions frequently asked

Is this Pater Noster score written for SATB choir?

The writing is intended for a mixed SATB choir, with soprano, alto, tenor, and bass sections. It is designed a cappella, with no instrumental accompaniment indicated.

What is the sung language in Stravinsky's Pater Noster?

The text is in Latin. This language allows for work on vowel homogeneity, articulation, and projection of the choral text.

How many pages does this score have?

The score consists of 4 pages. This concise format facilitates its inclusion in a concert program, service, or ceremony.

Boosey & Hawkes Stravinsky Pater Noster No. 29: what is the edition year?

The indicated publication year is 1949. It is a classical genre score for mixed choir.

Can this choral piece be used for ensemble rehearsal?

Its controlled length allows for quick preparation. The work can focus on listening between sections and tuning. Latin pronunciation can also be addressed according to the ensemble's practices.