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PS-6

PS-6

Regular price 179,00 €VAT incl.
0,90 € Ecotax included
Sale price
0,90 € Ecotax included
Regular price Reference price

A modern harmonizer in a compact format, designed for the pedalboard

Pitch effects are among the most inspiring tools to transform a guitar into a full harmonic instrument: doubles, thirds, fifths, octaves, or subtle detunings like a "dry chorus." The BOSS Harmonist continues this tradition by combining Pitch Shift algorithms and "intelligent" harmonization in a robust pedal format, easy to dial in and built for both stage and studio. Its approach is straightforward: you maintain musical control (key, major/minor, voice distribution), and the pedal generates a rich and coherent harmony.

Who is it for, which styles, and in what situations?

The BOSS Harmonist is aimed at guitarists (and any instrumentalists using an instrument input) who want to expand their playing without complexity. In rock and hard rock, it thickens solos with harmonies reminiscent of guitar duos. In metal and modern prog, it enables expanded unison lines, massive octaves, and extreme pitch effects for striking breaks. In pop, funk, and indie, the Detune mode provides instant width, very effective on clean arpeggios and crisp strumming.

On a pedalboard, it naturally fits after distortion pedals for clear lead harmonies or earlier in the chain for wilder textures depending on your approach. In the studio, it becomes a creative shortcut to double a melody, thicken a mono part, or generate precise pitch movements via an expression pedal.

Modes, controls, and handling: essentials at your feet

The pedal offers four effect modes: Harmony, Pitch Shifter, Detune, and S-BEND. The Harmony mode is designed to create "intelligent" harmonies: you set the key, choose major or minor, then select a 3-voice configuration via the SHIFT control. In practice, this allows you to achieve rich and musical stacks in seconds without adjusting note by note.

The Pitch Shifter mode focuses on pitch changes with a sound quality claimed to be particularly high, ideal for octaves, fifths, or more pronounced transpositions. The Detune mode offers a 3-voice detuning to widen the sound: perfect for creating a doubling and width impression without falling into overly marked modulation. Finally, the S-BEND mode is effect-oriented: it allows very large pitch variations and becomes formidable when controlled by foot.

The control section remains clear and efficient with: MODE to select the algorithm, SHIFT to choose the pitch range or configuration, BALANCE to blend the dry signal and effect, and FALL TIME to adjust the temporal behavior of the variation (very useful to smooth or dramatize transitions in S-BEND). The footswitch activates the effect, while the CHECK indicator also serves as a battery status light.

For truly expressive playing, pitch can be controlled with an expression pedal (optional). This is a major asset to transform the Harmonist into a performance tool: gradual rises, controlled "dives," or perfectly dosed slides according to your attack and rhythmic placement.

Sound Character

The BOSS Harmonist's sonic character emphasizes clarity and impact: the goal is to maintain a clear attack while adding voices that blend naturally with your playing. In harmony mode, the output can range from simple thickening "like a second guitarist" to more imposing 3-voice stacks, depending on the BALANCE setting and chosen interval distribution. In Detune, you get immediate width, ideal for clean sounds, delays, and reverbs, with a "mental" stereo sensation even in mono output thanks to harmonic density.

The more extreme pitch modes are designed to remain musical: the Pitch Shifter allows building transposed lines, while Super Bend opens the door to very marked pitch effects, particularly convincing when adjusting the fall time and controlling pitch with the foot. The result: a pedal that can be both a discreet arrangement tool and a bold sonic signature for solos and transitions.

  • Technical specifications are subject to change without notice

Technical specifications

EffectsOctaver / HarmonyUseelectric guitar
FormatPedalColorBlue
Typesector
Nominal input level-20 dBuConnectionsINPUT jack, OUTPUT jack, adapter jack
Input impedance1 MohmPower supplyDC 9V
Nominal output level-20 dBuCarbon batterytype 6F22 (9V)
Output impedance2.2 k ohmsAlkaline battery6LR61 (9V)
Recommended load impedance10 k ohms or moreAC adapter (PSA series)optional
Level reference0 dBu = 0.775 VrmsPower consumption40 mA (DC 9V)
FootswitchyesEstimated battery life (continuous use)Carbon 2.7 hours
ControlsBALANCE, SHIFT, FALL TIME, MODEDimensions73 (H) x 129 (W) x 59 (D) mm
CHECK indicatoralso serves as a battery voltage indicatorWeight440 g (including battery)

Customer reviews

What customers say

Summarized and selected by AI from recent customer reviews

This harmonizer pedal offers excellent harmonization with 2-3 voices and multiple effects including detune, whammy, and S-bend. Customers praised its robust Boss build and versatility with instruments like saxophone. "The harmonization is excellent," noted one customer. However, it requires precise adjustment and music theory knowledge. One customer was disappointed with sound quality.

Review highlights

  • “The harmonization is excellent with 2 or 3 voices, creates beautiful harmonies.”
  • “Excellent pedal. XXL sound: dub bass, organ, detune, polyphony and S-bend...Amazing!”
  • “Detune and Whammy functions are of great quality.”

Based on 6 reviews

  • 4 stars, 0 reviews
  • 3 stars, 0 reviews
  • 1 star, 0 reviews

  1. Anton K.

    Great product. A bit difficult to handle (requires a certain level of solfege) but don't forget that the harmonization function is not the only function of this pedal. Dethune and Whammy functions are of high quality.

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  2. client(e)

    The harmonization is excellent with 2, or even 3 voices, it creates beautiful harmonies. With the super bend c is quite fine, and brings a nice color, to the notes going up and down.
    Boss case, therefore robust.

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  3. Bruno L.

    Excellent pedal requiring precise adjustment work. XXL sound = dub bass, organ, organ, de-tune, polyphony and S-bend... Amazing!

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  4. armand C.

    I use the PS-6 for a tenor sax, easy to use and interesting in combination with other Boss effects

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  5. Fabien L.

    My old ps-6 is RIP so I found another one here:)

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