Carisch Arbaretaz MARIE-claude - Lire La Musique Vol.2 Par La Connaissance Des Intervalles
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Carisch
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Summary of This Method
Designed to support students' progress in musical training, this method is intended for elementary-level instrumentalists as well as second-year singers. It emphasizes a fundamental aspect of musical language: the recognition, understanding, and practice of intervals, essential for gaining rhythmic and melodic precision, as well as for improving singing and playing skills.
The content focuses particularly on the augmented fourth and diminished fifth, two intervals often confused but essential to master in order to develop a reliable ear. The method also addresses the major sixth and minor sixth, offering a progressive approach that connects listening, analysis, and performance. This approach helps strengthen auditory memory while improving staff reading and anticipation of melodic leaps.
Comparative exercises play a central role: they invite the student to distinguish close intervals, control pitch accuracy, and understand the associated harmonic colors. For singers, this is a direct asset to stabilize intonation and gain confidence during leaps. For instrumentalists, it is excellent training to secure fingerings, precision, and inner listening even before producing the sound.
In summary, this resource is an effective tool for working on intervals concretely, developing relative pitch, and consolidating the foundational skills necessary for instrumental and vocal practice, within a pedagogical framework suited to the indicated level.
Technical specifications
| Theme | Theory - Harmony | ||
| Instrumentation | All instruments and voices | Language | French |
| Genre | Musical training | Difficulty | Instrumentalists: elementary level; Singers: second year |
Questions frequently asked
At what level is Lire La Musique Vol.2 intended?
This method is aimed at elementary-level instrumentalists and second-year singers.
Which intervals are practiced in this volume?
The work focuses notably on the augmented fourth, diminished fifth, major sixth, and minor sixth. Comparative exercises help to distinguish closely related intervals.
Is this method suitable for singing?
Designed for all instruments and voice, it provides useful training for second-year singers. Melodic leaps and pitch control are addressed through intervals. The objective is to stabilize intonation when singing.
Can this book be used with any instrument?
The indicated instrumentation covers all instruments and voice. The content emphasizes listening, analysis, and staff reading rather than technique specific to an instrument.
Is the book in French?
The method is written in French and pertains to musical training, with a focus on theory and harmony.



