Carisch Stivell Alan - Renaissance De Harpe Celtique - Harpe
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Carisch
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Summary of This Book
This collection brings together a set of melodies inspired by Celtic music, ranging from lyrical airs to Gaelic waltzes, including "ports" (dance tunes) and traditional themes. You will find notably: Airde cuan, Braigh loch iall, Caitlin triall, Gaelic waltz, Heman dubh, Manx melody, Na reubairean, Port en deorai, Port ui mhuirgheasa, Struan robertson, The little cascade, Marv Pontkalleg, Eliz Iza, and Ys. The set offers a palette of atmospheres very useful for working on interpretation: some pages emphasize a broad and expressive melodic line, others invite establishing a more assertive dance pulse. It is a relevant resource for musicians wishing to develop their sense of style (articulation, dynamics, timing) and build a repertoire of traditional pieces to play solo, in class, or in small ensembles, while exploring typical sounds and characters of Gaelic music.
Technical specifications
| Musical Genre | Traditional, World | ||
| Genre | Traditional music (Gaelic and Manx repertoire) | ||
Questions frequently asked
Which pieces are included in Alan Stivell's Renaissance De Harpe Celtique?
The collection notably includes Airde cuan, Braigh loch iall, Caitlin triall, Gaëlic waltz, and Heman dubh. It also features Mélodie manxoise, Na reubairean, Port en deorai, Port ui mhuirgheasa, and Struan robertson. The selection is completed by The little cascade, Marv Pontkalleg, Eliz Iza, and Ys.
Does this collection contain Gaelic waltzes?
The pages include Gaëlic waltz, a Gaelic waltz incorporated into a repertoire of traditional music.
Which traditional styles are covered in this harp book?
Among the titles, ports, or dance airs, mingle with lyrical melodies and themes from Gaelic and Manx repertoires. Port en deorai and Port ui mhuirgheasa notably exemplify this dance dimension.
Does this method help working on harp interpretation?
The proposed approach allows working on articulation, dynamics, and timing through pieces such as The little cascade or Marv Pontkalleg. Some melodies emphasize an expressive line, while others establish a dance pulse.
Can these harp pieces be played in an ensemble?
The selection is designed to form a repertoire playable solo, in lessons, or in small groups, notably including Ys and Eliz Iza.
