Chant Du Monde Arutunian A. - Concerto Pour Trompette - Trompette et Piano
Estimated Shipping Widget will be displayed here!
Couldn't load pickup availability
Information
Information
Manufacturer Information
Chant Du Monde
https://www.wisemusicclassical.com
promotion@wisemusic.com
------------------------
Safety manager:
Hal Leonard Europe BV
Email:
Address:
Summary of This Score
This reduction for trumpet and piano, complemented by a cadenza by T. Dokschizer, is intended for trumpeters seeking a reliable and musical support to prepare a performance with pianist. The trumpet part emphasizes the clarity of the line, consistency of articulations, and effectiveness of transitions, allowing you to focus your work on sound, intonation, and style. On the piano side, the accompaniment is designed to support the trumpet with a stable harmonic and rhythmic framework, facilitating rehearsal setup.
The cadenza proposed by T. Dokschizer brings a virtuosic and expressive dimension, ideal for personalizing your interpretation and working on solo phrasing. It provides an excellent study ground to develop breath control, dynamic management, attack precision, and fluidity in fast passages. This score is particularly suitable for musicians wishing to consolidate their stage experience, refine their musicality, and gain confidence in a "trumpet and piano" context.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Arranger | T. Dokschizer | Instrumentation | Trumpet and piano |
Questions frequently asked
Does this edition of Arutunian's Trumpet Concerto include a cadenza?
A cadenza by T. Dokschizer is included in this trumpet and piano reduction. It provides a virtuosic and expressive solo passage.
What is the instrumentation of the score?
The indicated instrumentation is trumpet and piano. The piano part provides harmonic and rhythmic accompaniment designed to support the trumpet line.
Is the trumpet part suitable for practicing articulations?
The trumpet part emphasizes the clarity of the line and consistency of articulations. This allows focus on attacks, intonation, and style. The transitions are presented effectively for rehearsal with the pianist.
Who created the cadenza for this reduction?
The cadenza is by T. Dokschizer, who is also credited as the editor of this edition.
Does this score belong to the classical repertoire?
The indicated musical genre for this score is classical.



