Chester Music L'Histoire De Babar (Full Score)
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Chester Music
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Summary of This Conductor's Score
This orchestral conductor's score provides a conducting part that allows an understanding of the work as a whole, with a typical organization of scores intended for musical preparation: vertical system layout, section tracking, and useful cues to anticipate changes in texture, dynamics, and articulation. It is aimed at conductors, assistants, composition teachers, and musicians wishing to analyze orchestration and overall structure.
The presence of Francis Poulenc in the catalog guarantees precise writing, full of character and contrasts, while the involvement of Jean Françaix as arranger highlights particular attention to instrumental color and reading fluidity. This type of conductor's score is ideal for preparing rehearsals, working on transitions, securing entries, and managing balances between families (woodwinds, brass, strings, percussion) within an orchestral setting. The information in three languages (English, German, French) facilitates use in conservatories, student orchestras, or international productions.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Francis Poulenc | Language | English-German-French |
| Arranger | Jean Françaix | Pages | 74 |
| Instrumentation | Orchestra | Year of Publication | 2002 |
Questions frequently asked
How many pages does the score of L'Histoire de Babar have?
The score has 74 pages, with a layout adapted for simultaneous following of the orchestra parts.
What is the instrumentation specified for this Poulenc score?
The specified instrumentation is orchestra. The score allows vertical tracking of woodwinds, brass, strings, and percussion sections.
Did Jean Françaix create the arrangement?
Jean Françaix is credited as the arranger of this edition. His work focuses on instrumental color and the smooth readability of the score.
In which languages is the score available?
The directions are provided in English, German, and French, which facilitates its use in a conservatory setting or in international productions.
Is this edition suitable for preparing an orchestra rehearsal?
Thanks to markings for dynamics, articulation, and texture changes, the preparation of entries and transitions can be carried out precisely. The publication dates from 2002.



