Combre Lapeyre Charlotte - Les Animaux Malades De L'alto Vol.3 - Alto et Piano
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Combre
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Hexamusic
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Summary of This Method
This method offers a series of study pieces focused on specific challenges, aiming to progressively and musically advance technique. Each title emphasizes an essential playing aspect: Ines, the donkey (arpeggios, 1st position) develops finger regularity and anticipation in chord patterns; Maëlys, the crayfish (fifths and sixths, 1st and 2nd positions) works on interval intonation and stability during shifts; Camille, the caterpillar (chromaticism, 1st position) refines finger precision and gesture continuity; Marjorie, the mouse (double stops, grace notes, 1st position) addresses left-hand-bow coordination, string balance, and harmonic listening; Pauline, the sardine (1st and 3rd positions) strengthens mastery of position changes and confidence across the range. Altogether, it provides an ideal resource to consolidate fundamentals, enrich technical vocabulary, and build confidence, while maintaining a sense of play and musicality.
Technical specifications
| Publication | Methods | ||
| Genre | Instrumental Method / Technical Studies | Difficulty | Work in 1st to 3rd positions |
Questions frequently asked
What level of viola is required for Les Animaux Malades De L'alto Vol.3?
This method covers work from 1st to 3rd position. The studies notably focus on shifts between 1st and 3rd positions in "Pauline, la sardine".
Are arpeggios practiced in this volume?
"Ines, l’ânesse" is dedicated to arpeggios in 1st position, with exercises emphasizing finger regularity and anticipation.
Which intervals are studied on the viola?
Fifths and sixths are treated in "Maëlys, l’écrevisse." The work takes place in 1st and 2nd positions. Intonation of intervals and stability of shifting are the main focus areas.
Does this volume include double stops?
"Marjorie, la souris" addresses double stops in 1st position. The short notes are also associated with coordination between left hand and bow.
Are chromatic scales included in the method?
"Camille, la chenille" offers exercises on chromaticism in 1st position. Digital precision and continuity of the gesture are specifically targeted.



