Contemporanea C-TAN02 TANTAM PRO SERIE ALUMINIUM 14" x 70CM BRAZIL2014
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Manufacturer Information
Contemporanea
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BAHIA STEEL
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Historical Context and Positioning in the Range
The tantam, sometimes called "tantan" depending on usage, has established itself as an essential voice in samba ensembles and especially in pagode, where it supports the pulse with an articulated low end and precise attacks. CONTEMPORANEA, a recognized manufacturer in the world of Brazilian percussion, offers here an aluminum tantam aiming for a clear balance between sound projection, reliability, and ease of transport. This choice of material positions the instrument as an effective option for musicians seeking a crisp response and stage-ready construction.
Who This Tantam Is For
This CONTEMPORANEA tantam is intended for intermediate to advanced percussionists, as well as demanding enthusiasts looking for a serious instrument to progress with. It is particularly suited for contexts where consistency and sound stability are essential: rodas, group rehearsals, batucadas, stage performances, and studio sessions. In terms of styles, it naturally excels in samba and pagode repertoires but can also find its place in fusion, Afro-Brazilian, or world projects whenever a defined low end and clear attack in the mix are desired.
Features and Innovations
With its 14-inch diameter and 70 cm height, this tantam offers a generous striking surface and a sufficiently deep shell to develop a solid foundation. The aluminum construction provides a very appreciated lightness when playing standing or on the move, while maintaining long-term durability for intensive use. Its design is thought for easy handling and a comfortable grip, allowing flexibility and precision during extended sessions without feeling cumbersome.
Sound Characteristics
Aluminum strongly influences the instrument's sonic personality: it generally produces a more direct attack and a sharper projection than many wooden shells. On this tantam, this translates into a clear and responsive resonance that highlights rhythm definition, a crucial point in fast patterns and dynamic variations of pagode. The strikes stand out clearly, helping maintain clarity within a dense ensemble (tamborims, pandeiros, surdos, etc.).
This clarity also facilitates dynamic work: you can move from a rounder, deeper playing to sharper accents while maintaining a clean and stable signal. On stage, this sound favors precise timing, and in rehearsal, it allows better hearing of the nuances in your touch. The result: an effective tantam for building a solid groove, with a quick response and natural presence in the spectrum.
Technical specifications
| Instrument size | Large | Skin type | Synthetic |
| Category | Brazilian | Depth | 70 cm |
| Type | Tantan | Color | Grey |
| Material | aluminium | Diameter | 14 " |
| Height | 70 cm | Sound | Clear and responsive resonance |
Questions frequently asked
What are the dimensions of the Contemporanea 14" x 70 cm tantam?
The diameter is 14 inches and the height is 70 cm, offering a generous playing surface with a deep shell.
What sound does an aluminum tantam produce?
The aluminum shell favors a direct attack and clear projection. The announced resonance is bright and responsive, with definition suited to fast rhythms.
Is this tantam suitable for pagode and samba?
This model is designed for samba and pagode repertoires, where the articulate low end supports the pulse. It can also fit into Afro-Brazilian or world music ensembles seeking a clear attack.
Is the aluminum shell practical for playing standing?
Thanks to its aluminum construction, the instrument emphasizes lightness for standing play and mobility, while being intended for intensive use.
For what skill level of percussionist is this 14-inch tantam intended?
The 14-inch by 70 cm configuration targets intermediate to advanced percussionists as well as demanding amateurs. Its quick response allows working on dynamics, from round strokes to sharp accents. Overall, its projection helps maintain clear articulation among pandeiros, surdos, and tamborims.



