Costallat Pitions Ch - Gilles Messe Des Morts I Introit - Ii Choeur Et Lux Perpetua
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Costallat
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Summary of This Score
This choral score for SATBarB is intended for ensembles wishing to expand their sonic palette beyond the classic SATB. The addition of a baritone section (between tenor and bass) provides very useful harmonic support: it densifies the lower middle range, strengthens the stability of chord progressions, and allows for more nuanced colors, especially in passages where the balance between middle voices is crucial.
The setup work is naturally structured by sections, making it a relevant tool to develop vertical listening (accuracy of chords) as well as horizontal listening (line leading). In rehearsal, the SATBarB distribution encourages real dialogue between voices: sopranos and altos can rely on a more present middle foundation, while tenors, baritones, and basses gain clarity in role distribution (melody, counter-melody, harmonic filling).
The revision and realization by Laurence Boulay aim to secure reading and setup: a clear score designed for efficiency in rehearsal and a more confident performance in concert. This is an interesting option for choirs wishing to work on attack precision, balance of sound layers, and timbre blending, while benefiting from writing designed to highlight each section.
Technical specifications
| Musical Genre | Classical | ||
| Composer | Gilles Jean | Instrumentation | SATBarB |
| Arranger | Laurence Boulay | ||
Questions frequently asked
What is the instrumentation of this Mass for the Dead score?
The writing is intended for an SATBarB choir: soprano, alto, tenor, baritone, and bass.
Is the baritone part present in Gilles Messe des Morts I Introit - II Choir and Lux Perpetua?
The SATBarB designation includes a baritone section positioned between the tenors and basses. This arrangement strengthens the lower middle range in the chords. It distinguishes the roles of tenors, baritones, and basses within the choral texture.
Who composed this choral work?
The composition is by Jean Gilles, in the classical genre.
Who carried out the revision and arrangement of the score?
Laurence Boulay is credited for the arrangement, as well as for the revision and production of this edition.
Which passages of the Mass for the Dead are indicated in the title?
The title refers to sections I “Introit” and II “Choir and Lux perpetua.”
