Doblinger Haydn M. Quett In C Für Ischhorn Violine Violoncello Und Kontrass P115
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Doblinger
https://www.doblinger-musikverlag.at
info@doblinger-musikverlag.at
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Summary of This Score
This score is offered as a set of separate parts, a format particularly appreciated when working with multiple musicians: each performer has their own part, making reading more comfortable and rehearsal more efficient. The indication "Erstdruck" refers to an edition produced from the first printing, a relevant choice for musicians who wish to get as close as possible to the source, the original layout, and the editorial habits of the time.
Dated 1795, this publication is suitable both for a musicological approach and for purely practical use in rehearsals. The "parts" format helps organize ensemble work, clarify entrances, and stabilize musical balance, especially when several lines must be precisely coordinated. With its 32 pages, this edition focuses on the essentials: direct reading adapted to real playing conditions (music stand, rehearsals, performances).
Technical specifications
| Musical Genre | Classical | ||
| Edition | Erstdruck | Year of Publication | 1795 |
| Pages | 32 | ||
Questions frequently asked
Which instruments are included in this edition?
The title listing mentions Ischhorn, violin, cello, and double bass.
Is the score provided as a full conductor score or separate parts?
This edition is supplied as a set of separate parts. Each musician thus has their own part for section rehearsals and practice.
What does the indication Erstdruck mean on this score?
The indication "Erstdruck" refers to an edition produced from the first print run. The original layout and editorial conventions of the period are therefore preserved. This approach may be of interest for musicological study.
From which year does Haydn M. Quett In C Für Ischhorn Violine Violoncello Und Kontrass P115 date?
The publication is dated 1795.
How many pages does this Doblinger edition contain?
The set of parts consists of 32 pages. This format is designed for direct reading in rehearsal or performance settings.
