Dowani Album Vol.1 - Flute A Bec Alto Bc
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Dowani
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Summary of This Sheet Music
This sheet music from the DOWANI 3 Tempi Play Along collection offers a program designed for the alto recorder with continuo bass, aiming to bring new energy to your practice sessions. The accompaniment, designed to sound like a true musical partner (harpsichord, organ, or lute), encourages a livelier practice: you work on phrasing, tempo stability, musical breathing, and attack precision, all while enjoying playing "with" others rather than alone.
The content mixes original compositions and arrangements centered around carefully selected early dances and airs: "Sellengers Round" and "Putta nera, Ballo Furlano" (traditional), "Bransle de Champaigne" (Pierre Attaignant), "Allemande" (Tielman Susato), "Schiarazula" (traditional), as well as "Bourrée" and "Passepied" (J.M. Hottererre). Thanks to clear notation and an easy level, this sheet music is perfectly suited to develop musicality, refine ornamentation, and establish good stylistic habits, whether in lessons, self-study, or as a supplement to a method book.
Technical specifications
| Publication | Methods | ||
| Instrumentation | Alto Recorder and Continuo Bass | Difficulty | Easy |
| Collection | DOWANI 3 Tempi Play Along | ||
Questions frequently asked
Is this sheet music suitable for alto recorder?
The sheet music is written for alto recorder with basso continuo.
What level is required to play Album Vol.1 by Dowani?
An easy level is indicated in the DOWANI 3 Tempi Play Along collection. The book allows for working on setting and maintaining the tempo.
What kind of accompaniment is provided for the basso continuo?
The basso continuo accompaniment is designed as a musical partner. Harpsichord, organ, or lute sounds are mentioned.
Which pieces are included in this collection for alto recorder?
It brings together old airs and dances, with original compositions and arrangements. Notably included are Sellengers Round, Putta nera, Ballo Furlano, and Bransle de Champaigne. Also featured are an Allemande by Tielman Susato, Schiarazula, as well as a Bourrée and a Passepied by J.M. Hottererre.
Which musical aspects can be worked on with this method?
The practice aims at musical breathing and precision of articulation. Ornamentation and style reflexes can also be developed.
