DPA KIT-4099-DC-4r
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DPA
https://www.dpamicrophones.com
info-fr@dpamicrophones.com
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DPA France
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A Benchmark in Instrument Miking, Enhanced by CORE by DPA
Already recognized as a standard in clip-on instrument microphones, the DPA 4099 takes a step forward with CORE by DPA. This evolution aims to reduce distortion and open up the sound rendering for a more natural and faithful amplification of your instrument in demanding contexts. The 4099 series is designed to sound accurate across a wide range of acoustic sources while maintaining a clear and precise signature, particularly appreciated by musicians and sound engineers in stage conditions.
For Which Stages and Musicians Is This Kit Ideal?
The 4099 CORE Extreme SPL is primarily intended for situations where sound levels are high and clarity must remain intact: rock concerts, TV studios, theaters, live recordings, festival performances, and rental fleets. It is tailored for drums and percussion, as well as brass instruments capable of producing strong transients. The idea is simple: preserve the instrument's character, limit bleed, and achieve a usable sound quickly, even in dense mixes.
What Makes the Difference in the Field: Mounting, Isolation, and Consistency
CORE by DPA: More Transparency, Less Distortion
At the heart of these miniature microphones, the CORE by DPA technology aims to lower distortion to gain openness and precision across the entire dynamic range. The result: sharper attacks, better nuance reproduction, and a sound that remains stable when the instrument shifts from subtle to very forceful playing.
Supercardioid: High Rejection and Gain Before Feedback
The Loud-SPL and Extreme-SPL versions share a supercardioid polar pattern designed to maximize rejection. This is a key point for live use: you can raise the level without triggering feedback too early, while maintaining a consistent off-axis response for coherent stage presence.
Shock Mount, Detachable Cables, and Gooseneck: Designed for Touring
The 4099 CORE features an improved shock mount that effectively isolates handling noise and vibrations. The detachable cables come in heavy or light versions depending on the usage, with durability suited to daily stage life. The integrated gooseneck extension facilitates quick, precise, and especially repeatable placement from one show to another.
A Microphone That Follows Your Instrument Fleet
The mounting system is designed to not damage the finish: you can unclamp, reposition, or transfer the microphone from one instrument to another. Simply use the clip adapted to the correct instrument type to secure the mount and quickly regain effective placement.
Included Focus: DPA 6066 CORE Subminiature Headset Microphone
The DPA 6066 CORE features a subminiature capsule with a 3 mm diameter to deliver a very clean sound in a discreet format. The headband has been redesigned for lightweight, "one size fits all" wear, with secure attachment thanks to 3-point ear claws. The boom is adjustable (length and height) with an anti-rotation system, and the 90-degree cable management helps guide the cable and reduce mechanical stress, practical both on stage and in musical theater.
Technical specifications
| Frequency response | 20 Hz - 20 kHz | Capsule | static electret |
| Category | instrument microphone | Color | Black |
| Directivity | supercardioid | ||
| Technology | CORE by DPA | Dynamic Range | typically 102 dB |
| Type | condenser instrument microphone | Max SPL, THD 10% | 144 dB SPL peak |
| Polar Pattern | supercardioid | Nominal Output Impedance | 30 - 40 ohms |
| Usage | close miking of extremely loud instruments (drums, percussion, certain brass) | Cable Transmission Capacity | up to 300 m with XLR adapter DAD6001-BC |
| Max SPL (peak before clipping) | 152 dB | Power Supply (for optimal performance) | for wireless systems, min. 5 V - max. 10 V via DPA adapter |
| Mount | improved shock mount (isolates handling noise and rumble) | Power Supply with DAD6001-BC | P48 (phantom power), operates from 12 V |
| Cables | detachable, available in heavy or light versions | Current Consumption | typically 1.5 mA (microphone), 3.5 mA with XLR adapter DAD6001-BC |
| Positioning | integrated gooseneck extension for easy and repeatable mounting | Connector | MicroDot, TA4F Mini-XLR, LEMO 3-pin, mini-jack |
| Mounting Design | easy unclipping/repositioning, designed not to scratch instrument finish | Weight | 11 g, including cable and MicroDot connector |
| Kits | available in configurations of 4 or 10 microphones with corresponding accessories | Microphone Head Size (H x W x D) | 3.4 / 8.9 mm |
| Operating Principle | pressure | Capsule Diameter | 3 mm |
| Effective Frequency Range +/-2 dB | 40 Hz - 20 kHz with a soft 4 dB boost at 8 - 20 kHz | Cable Length | 1.3 m |
| Sensitivity, nominal, +/-3 dB at 1 kHz | 6 mV/Pa; -44 dB re. 1 V/Pa | Polarity | a positive increase in sound pressure produces a positive voltage on the MicroDot pin |
| Equivalent Noise Level, A-weighted | typically 26 dB(A) re. 20 µPa (max. 28 dB(A)) | Temperature Range | -40 degC to 45 degC |
| Distortion, THD < 1% | 125 dB SPL RMS, 128 dB SPL peak | Relative Humidity (RH) | up to 90% |
Questions frequently asked
Is the DPA 4099 CORE suitable for drums and very powerful percussion instruments?
Designed for extremely loud instruments, this microphone handles up to 152 dB SPL peak before clipping. Its supercardioid pattern aims to reduce bleed and increase gain before feedback in live stage situations.
Does the 4099 clip risk damaging the instrument's finish?
The mounting design is intended not to scratch the instrument's finish. The clip can be unclipped and repositioned, with an integrated gooseneck to maintain consistent placement.
Which wireless systems and power supplies are compatible?
For wireless systems, a 5 to 10 V power supply via DPA adapter is recommended. Available connectors include MicroDot, TA4F Mini-XLR, 3-pin LEMO, and mini-jack. With the XLR adapter DAD6001-BC, phantom power P48 operates from 12 V.
What is the frequency response of the DPA 4099 instrument microphone?
The specified frequency response ranges from 20 Hz to 20 kHz.
Is the microphone cable detachable and sufficiently long?
The detachable cable measures 1.3 m and is available in heavy or lightweight versions depending on use. Transmission up to 300 m is possible using the DAD6001-BC XLR adapter.



