Dunlop Adu 927 - Long Dawg Metal - 19 X 79 MM
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Manufacturer Information
Jim Dunlop
https://www.jimdunlop.com
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Algam SAS
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A "Long Dawg" Tonebar Tailored for Lap Steel and Dobro Playing
The Jim Dunlop Adu 927 "Long Dawg Metal" is a tonebar designed for guitarists seeking a clear attack, solid note sustain, and consistent glide. Its stainless steel offers a smooth surface that helps execute slides without snags while maintaining excellent definition. The long format provides real comfort on melodic lines, sliding chords, and passages requiring good stability, whether you play country, blues, Hawaiian, or more modern styles.
With its non-tapered profile, this tonebar favors a uniform feel and predictable control, practical for working on intonation, micro-movements, and vibratos. Whether you are learning lap steel or already accustomed to fast phrases and bends with the slide, it is a reliable choice to gain precision and consistency.
Technical specifications
| Category | tonebar | Flared | No |
| Format | long | Color | Grey |
| Material | stainless steel | ||
| Product | Jim Dunlop Adu 927 "Long Dawg Metal" | Tapered | no |
| Dimensions | 19 x 79 mm | ||
Questions frequently asked
What are the dimensions of the Dunlop Adu 927 tonebar?
The tonebar measures 19 mm in diameter and 79 mm in length. This long format promotes stability during slide chords and melodic lines.
Is this tonebar suitable for lap steel and dobro?
This model is designed for lap steel and dobro playing. Its 79 mm length supports string transitions and intonation work.
What material is used for the Long Dawg Metal?
The stainless steel construction provides a smooth surface, intended to maintain consistent slide. The attack remains clear and note sustain is solid. This finish is gray in color.
Does the Dunlop Adu 927 have a tapered profile?
No, its profile is not tapered. The uniform shape allows for predictable control during micro-movements and vibratos.
For which music styles is this 19 x 79 mm tonebar suitable?
With its long 19 x 79 mm format, it is suitable for country, blues, and Hawaiian repertoires. It can also be used in more modern playing contexts.
