Dunlop CM95 CLYDE MCCOY
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Dunlop Effects
https://www.jimdunlop.com
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A Modernized Tribute to the Original Wah Wah
The Cry Baby Clyde McCoy Wah Wah follows in the tradition of the very first wah wahs that shaped the electric guitar sound. This model pays homage to the iconic "talking" character associated with the Clyde McCoy aesthetic: a sweep with an almost human timbre, capable of turning a simple riff into an articulated melodic phrase.
The goal is clear: to recapture the expressiveness and vintage color of the original, while offering the durability and practicality expected by today's musicians, especially in live settings.
Who Is It For, and Which Styles?
This wah is aimed at any guitarist (or bassist depending on the signal chain and amp settings) who wants an immediate, organic pedal focused on right-hand/left-hand playing. It suits both intermediate players seeking a "signature" wah and vintage tone enthusiasts who want that famous vocal and expressive character.
It excels in styles where phrasing matters as much as tone: blues, classic rock, funk, psychedelic, and also in modern rock whenever a dynamic filter is needed to highlight a solo part. On a pedalboard, it naturally sits before distortion for a more pronounced "quack" effect, or after fuzz/overdrive for thicker, more dramatic leads.
Design and Operation: Feel Comes First
The heart of this pedal lies in the Halo inductor, a key element of the "Clyde" sound: it influences how the wah emphasizes certain frequencies, the "dip/bump" sensation during the sweep, and how the pedal responds to attack. The result: a wah that invites nuanced playing, "speaking" with the instrument, and working foot precision as a true expressive tool.
To meet modern demands, the design also aims to minimize microphonic interference. You keep the vintage character but with more reliable use when volume rises, the stage vibrates, or the effects chain becomes more complex.
Sound Character
The Cry Baby Clyde McCoy Wah Wah is distinguished by a very singing sound: the resonance peak evokes a "voice-like" articulation that naturally cuts through the mix. The lower sweep adds roundness that thickens notes without dulling them, while the upper sweep remains expressive and punchy, ideal for emphasizing attack or highlighting vibrato.
Dynamics are central to the experience: the more precise your playing, the more the wah delivers a sense of interaction with the amp. On a clean tone, it can shift from a snappy funk to a more "nasal" vintage solo phrasing. With overdrive, it brings that lead vocal quality that turns bends and sustained notes into true melodic accents.
Technical specifications
| Effects | Wah | EQ | Filter |
| Technology | Analog | Use | guitar, Bass |
| Format | Pedal | Color | Black |
| Inputs | Jack | Power supply included | No |
| Outputs | Jack | Power supply | 9V battery, DC 9 V |
| Number of effects | 1 | ||
| No power supply required | passive operation | ||
Questions frequently asked
What sound does the Halo inductor of this wah produce?
The Halo inductor shapes the characteristic "Clyde" sweep, with a resonance peak at the vocal articulation. The lower sweep adds roundness to the notes. The upper sweep emphasizes attack and vibrato.
Where should this wah be placed in an effects chain?
Placing it before distortion enhances the "quack" effect and suits funk rhythms or pronounced phrasing. After a fuzz or overdrive, the filter produces thicker, more dramatic leads.
Is this pedal suitable for bass?
The description indicates possible use with bass depending on the effects chain and amp settings.
What connectivity is available?
The pedal uses a jack input and a jack output for integration into a pedalboard. Its format is that of a single-effect analog wah pedal.
What power supply is required for the Cry Baby Clyde McCoy?
According to the specifications, a 9 V battery or a 9 V DC power supply can be used, with no power adapter provided. The datasheet also mentions passive operation requiring no power supply.



