Durand BACRI N. - SONATA BREVE OPUS 45 - VIOLON
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Durand
https://www.durand-salabert-eschig.com
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Summary of This Score
With "in homage to Mozart", this score offers a piece for solo violin built around a clear idea: to recapture the spirit of clarity, balance, and singing quality that characterizes Mozart's world, while providing the violinist with a lively and musical interpretation.
Without accompaniment, the playing is exposed: every attack, every slur, and every nuance takes on full importance. This solo writing allows for the development of true musical autonomy by working on the continuity of the discourse, breath control, sound projection, and coherence in character changes.
This piece naturally fits into a broad classical music repertoire, both as a concert piece and as a pedagogical tool. It encourages careful attention to style (momentum, lightness, balance of accents) and the construction of a personal interpretation, faithful to the idea of homage: to make the music "speak" with simplicity and refinement.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | solo violin | ||
Questions frequently asked
Does the Sonata Breve opus 45 require accompaniment?
The indicated instrumentation is solo violin: no accompaniment is provided in this score.
What musical style is featured in this work for violin?
The work belongs to the classical genre and is marked "in homage to Mozart." The writing seeks clarity, balance of accents, and lyricism associated with this style. The piece encourages working on a light and nuanced delivery.
Is the Sonata Breve opus 45 by Nicolas Bacri suitable for solo violin practice?
Without accompaniment, this Sonata Breve opus 45 emphasizes attacks, slurs, and dynamics. The continuity of the phrasing and management of breaths are among the elements to focus on.
What technical aspects can be practiced with this score?
The solo violin piece allows working on sound projection and consistency in changes of character. The requested style relies on momentum and precision of accents.
Can this score be performed in concert?
Its writing for solo violin allows it to be used as a concert piece or as a pedagogical tool.



