Durand ROPARTZ J.G. - PSAUME 129 DE PROFUNDIS - VOIX BASSE ET CHOEUR MIXTE
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Durand
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Summary of This Score
Specifically, you will find a writing designed for the voice with piano accompaniment, ideal for working on the vocal line, intonation, prosody, and expressiveness. The possible presence of a reciting voice (voce recit) extends its use to sections close to recitative, where the text and diction take a central role, while maintaining clear instrumental support.
For rehearsal, audition, or production contexts with limited resources, this score also offers an orchestral reduction: reduction for voice and organ. The organ provides a harmonic foundation and projection particularly effective in halls, churches, or venues where the instrument is available. This setup allows preserving the energy and structure of the orchestral accompaniment while remaining practical to implement. Whether you are preparing a concert, a voice class, a competition, or coaching work, this score offers a reliable framework to build the interpretation, work on entrances, breathing, articulation, and the relationship between text and music.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | voice (or reciting voice) and piano; orchestral reduction for voice and organ | ||
Questions frequently asked
What voice is intended for J.G. Ropartz's Psalm 129 De Profundis?
The score is intended for a bass voice with mixed choir, as indicated by the title.
Does the score include a piano accompaniment?
The writing provides a piano accompaniment to work on the vocal line. This version allows addressing intonation, prosody, and expressiveness.
Can a speaking voice be used?
A speaking voice, marked "voce recit", can be used in this score. This setup highlights the text and diction. Instrumental support remains provided by the piano.
Is there a reduction for organ of Psalm 129 De Profundis?
An orchestral reduction for voice and organ is indicated. The organ provides the harmonic foundation of the accompaniment in this arrangement.
Is this score suitable for rehearsal with reduced forces?
The reduction for voice and organ allows rehearsal with limited resources. It can be used to work on entrances, breathing, and articulation.
