Edition Breitkopf Bach - Oboe Concerto In G Minor - Hautbois et Piano
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Summary of This Score
This edition offers a musicological and practical reading of a Bach concerto, based on the observation that the harpsichord concertos BWV 1052 to 1058 are very likely adaptations made by Bach himself from earlier concertos. The goal is to reconstruct, as much as possible, an "original" form according to the character of the solo part, its melodic supports, and its instrumental logic.
Here, the editor focuses specifically on the oboe, an instrument Bach regularly highlights in his cantatas, often with exposed and expressive writing. Based on the Harpsichord Concerto in F minor BWV 1056, the solo part is reconstructed to recover more natural lines for the oboe, while preserving the rhythmic spirit and balance of the Baroque concerto. Furthermore, the concerto is transposed up by a whole tone, a choice that helps enhance the projection and clarity of the solo timbre.
For the slow movement, the reconstruction draws on an explicitly claimed musical kinship: the Sinfonia from Cantata BWV 156 "Ich steh mit einem Fuß im Grabe." This reference serves as an aural compass to approach a more vocal, more breathed, and typically Bachian cantilena, particularly suited to the oboe. An ideal score for musicians seeking a Baroque concerto repertoire for oboe that is coherent, expressive, and solidly grounded in the sources.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Johann Sebastian Bach | Genre | classical score |
| Instrumentation | oboe | Pages | 36 |
Questions frequently asked
Which Bach work serves as the basis for this oboe concerto?
The edition is based on Johann Sebastian Bach's Harpsichord Concerto in F minor BWV 1056.
Is the concerto transposed to G minor?
The part is transposed up by a whole tone from BWV 1056. This transposition enhances the projection and clarity of the solo timbre.
What reference is used for the slow movement?
The slow movement is inspired by the Sinfonia from cantata BWV 156 "Ich steh mit einem Fuß im Grabe." This musical relationship guides the reconstruction toward a vocal cantilena adapted for the oboe.
Does this Bach score include a piano part?
The title indicates instrumentation for oboe and piano. The work consists of 36 pages.
How was the oboe part reconstructed?
The editor reconstructs the solo line according to the character of the oboe, its melodic accents, and its instrumental logic. The writing preserves the rhythmic spirit of the baroque concerto.



