Edition Breitkopf Scheidt - Tabulatura Nova - Orgue
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Edition Breitkopf
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Summary of This Score
In this new three-volume edition of the Tabulatura nova, Part II draws particular attention thanks to a remarkable introduction: Harald Vogel offers a substantial essay dedicated to the art of playing keyboard music around 1600. Far from being a mere contextual text, this study relies on the extensive experience of a performer renowned for his work on early 17th-century organ and keyboard repertoire.
This second volume does not simply continue Scheidt's "opus summum ": it illuminates and accompanies it even more comprehensively than the already highly regarded first volume. For the musician, this translates into a more confident and stylistically coherent approach, useful both in study and concert preparation.
This score is aimed at performers wishing to deepen a historically informed reading: understanding execution choices, sense of style, musical discourse logic, and practical keyboard application. A valuable resource for organists, harpsichordists, and more broadly all keyboard players seeking to refine articulation, phrasing, and rhetoric in early music repertoire.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Scheidt | Genre | early music score |
| Instrumentation | keyboard | Pages | 184 |
Questions frequently asked
Is the Tabulatura Nova Part II suitable for the organ?
The indicated instrumentation is keyboard, with an explicit orientation towards organists and early 17th-century organ repertoire.
Who wrote the introduction of this edition?
Harald Vogel authored the essay dedicated to the art of playing keyboard music around 1600. This introduction accompanies Part II of Scheidt's Tabulatura Nova.
How many pages does this Scheidt score contain?
The volume contains 184 pages. It is an early music score classified within the classical genre.
Does this edition assist with working on historical performance?
The proposed approach relies on a historically informed reading of keyboard repertoire around 1600. Issues of articulation, phrasing, and rhetoric are addressed from the perspective of keyboard practice.
For which repertoire is the Breitkopf Edition Scheidt Tabulatura Nova designed?
The collection is devoted to Scheidt's keyboard music and belongs to the early 17th-century early music repertoire. Its Part II continues the composer's "opus summum." The presentation mentions the organ, harpsichord, and keyboard players involved in this style.
