Edition Breitkopf Weber - Bassoon Concerto In F Major Op. 75 - Bassoon et Piano
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Summary of This Score
Carl Maria von Weber's Bassoon Concerto (Op. 75) stands as a reference piece for any bassoonist wishing to approach a major concerto from the repertoire. Composed in 1811 for Georg Friedrich Brandt, the work was dedicated to this soloist; although the exact date of the world premiere remains unknown, a performance is documented in Prague on February 19, 1813, played by Brandt.
Weber exploits the full expressive range of the bassoon by adopting a distinct formal identity in each movement. The first movement is distinguished by an initial theme with pronounced rhythmic relief, ideal for working on articulation, projection, and musical phrasing. The Adagio, more stripped down and cantabile, emphasizes tone quality, breathing, and phrasing, with lines requiring fine control of dynamics and color.
The finale, Rondo. Allegro, immediately places the soloist in the spotlight: large interval leaps, rapid passages, and agile sequences provide a perfect ground for developing virtuosity, precision, and endurance. This score is an excellent choice for conservatory studies, auditions, and enriching the bassoon concerto repertoire.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Carl Maria von Weber | Genre | classical score |
| Instrumentation | bassoon | Pages | 32 |
Questions frequently asked
Is this edition of Weber's Bassoon Concerto op. 75 intended with piano accompaniment?
The indicated instrumentation is bassoon with piano, for practicing or performing the concerto in this setting.
How many pages does the score contain?
This edition contains 32 pages.
Which movements of Weber's concerto are included in this score?
The work includes a first movement with a rhythmic theme, an Adagio cantabile, and a Rondo Allegro finale. The finale notably features large interval leaps and fast passages. The writing thus involves articulation, phrasing, and agility of the bassoon.
Is the score suitable for conservatory studies and auditions?
The score is presented as suitable for conservatory studies and auditions. The first movement notably allows working on projection and musical discourse direction.
Who composed the Bassoon Concerto in F major op. 75?
Carl Maria von Weber composed this work in 1811 for bassoonist Georg Friedrich Brandt, to whom it was dedicated.
