Edition Max Eschig The Best Of Fernando Sor - Guitare
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Edition Max Eschig
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Summary of This Score
Mauro Giuliani is today considered one of the most important composer-guitarists of the early 19th century. A virtuoso admired far beyond the circle of guitarists alone, he held during his lifetime a prominent place among the most respected musicians of his era, thanks to a complete and versatile mastery of music. Yet, by the end of the 19th century, his name and works gradually disappeared from programs, maintaining only a marginal presence in the repertoire of major performers of the early 20th century.
This rediscovery of Giuliani is based on considerable musicological work, initiated notably by Thomas Heck as early as 1971 and continued by several specialists. In this continuity, the edition proposed by Frédéric Zigante emphasizes the reliability of sources: the pieces in this collection are established from the texts of the first publications, with a deliberately measured editorial intervention.
The goal is clear: to offer a classical guitar score that is both respectful and practical. The revision is essentially limited to the addition of fingerings, designed according to the technique documented in Giuliani's own methods (notably the Studio per la chitarra op. 1 and the Esercizio per la chitarra op. 48, published by Steiner in 1813), as well as the correction of obvious typographical errors. The result offers a smooth reading, useful for study as well as concert performance, and particularly relevant for those seeking phrasing, articulation, and left-hand logic typical of the Romantic style.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Mauro Giuliani | Instrumentation | guitar |
| Editor | Frédéric Zigante | Genre | classical score (Romantic guitar) |
Questions frequently asked
Is this sheet music intended for classical guitar?
The indicated instrumentation is guitar and the referenced musical genre is classical.
Who revised this guitar edition?
The revision is signed by Frédéric Zigante. The editorial interventions announced are limited to fingerings and correction of obvious typographical errors.
Does the sheet music include left-hand fingerings?
Fingerings have been added in this edition. They are based on the technique documented in Giuliani's Studio per la chitarra op. 1 and Esercizio per la chitarra op. 48. Both methods were published by Steiner in 1813.
Are the pieces established from early sources?
The pieces are established from the texts of the first publications. The edition announces a deliberately measured intervention on the sources.
Edition Max Eschig The Best Of Fernando Sor: which composer is listed in the features?
There is a discrepancy between the title, which mentions Fernando Sor, and the technical features, which indicate Mauro Giuliani as composer.



