Edition Peters Schubert Franz - Three Sonatinas Op.Post 137 - Viola And Piano
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Edition Peters
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Summary of This Score
Violin Sonatinas in a version for Viola offers a collection of sonatinas in a version dedicated to the viola, accompanied by piano. This edition emphasizes the pleasure of playing in duo, providing a viola part designed to integrate naturally with the piano accompaniment. The sonatina format is particularly appreciated for its balance between technical work and musical construction, with phrases that invite careful bowing, intonation, and articulation.
Whether you are in lessons, practicing individually, or looking for an accessible and musical ensemble score, this collection allows you to develop essential chamber musician skills: breathing with the piano, managing dynamics, building cadences, and refining intonation in exposed passages. The adaptation for viola also opens up repertoire possibilities, allowing you to rediscover the spirit of well-known pieces from the violin catalog while respecting the color and tessitura specific to the instrument.
Thanks to its viola-piano formation, this score is suitable both for work with a teacher and for rehearsal preparation, and easily fits into a class program, an audition, or a musical moment for two. A useful reference for violists wishing to consolidate their experience of playing with piano while enriching their sheet music library.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Arranger | Harry Wondrascheck | Instrumentation | Vla - Pf |
Questions frequently asked
Does this edition include the three Sonatinas op. posth. 137 by Schubert?
The collection gathers three sonatinas by Franz Schubert, catalogued as posthumous opus 137, in a version for viola and piano.
What is the instrumentation of Three Sonatinas Op. Post 137?
The indicated instrumentation is Vla - Pf, that is, viola and piano.
Is the part adapted for viola rather than violin?
The edition offers the Sonatinas for violin in an adaptation dedicated to viola. The viola part is designed to integrate with the piano accompaniment. The range and timbre specific to the viola are taken into account in this version.
Who made the arrangement for viola and piano?
The arrangement for the viola-piano formation is by Harry Wondrascheck.
Can this Schubert score be used for chamber music practice?
The viola-piano formation allows work on breathing with the piano, dynamics, and cadenzas. The sonatina format also addresses bowing, intonation, and articulation within the classical repertoire.



