Edition Peters Veracini Francesco Maria - 12 Sonatas Op.1 Vol.3 - Violin And Piano
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Edition Peters
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Summary of This Score
This collection corresponds to Vol. III and gathers Nos. 7 to 9. It is aimed at instrumentalists wishing to deepen a repertoire of numbered pieces, with a natural progression and continuity of style.
The indicated instrumentation highlights a Vln - Pf duo, while specifying a musical destination oriented towards recorder (or violin) and figured bass, with cello ad lib. This dual indication is particularly interesting: it allows for performance either as a sonata formation with keyboard or in a continuo logic, adapting the ensemble to the stage, the level of musicians, or rehearsal constraints.
Thanks to the figured bass, this score is suitable both for ensemble work (setting, common breathing, intonation, and balance) and for a more stylistic objective: understanding cadences, voice leading, and harmonic support. The optional cello can thicken the bass and improve rhythmic comfort, especially during rehearsals or in a pedagogical context.
Whether you play these pieces on violin or recorder, this volume provides a solid support to develop musicality, attack precision, and coherence of discourse, with keyboard accompaniment designed to highlight the solo line.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Instrumentation | Vln - Pf; for Recorder (Violin) & Fig. Bass Cello ad lib. Nos.7-9 | ||
Questions frequently asked
Which sonatas are included in volume 3?
Volume III brings together sonatas nos. 7 to 9 from opus 1 by Francesco Maria Veracini.
Can this edition be played on recorder?
The instrumentation indicates it is intended for recorder or violin with figured bass. The solo line can therefore be performed on recorder in this configuration.
Is a cello mandatory to accompany the sonatas?
The cello is indicated as ad libitum, so its use is not compulsory. It can enrich the bass line when working with keyboard. The accompaniment is based on the figured bass.
What accompaniment is provided for Veracini Op. 1 sonatas nos. 7-9?
The presentation mentions a violin-piano formation, noted "Vln - Pf." It also specifies an accompaniment with figured bass, to which an optional cello may be added.
Is this score suitable for continuo practice?
The presence of a figured bass allows for practicing cadences, voice leading, and harmonic support typical of continuo.
