EMB (Editio Musica Budapest) Marcello B. - Sonate (12) Op. 2 Vol. 2 - Flute et Piano
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EMB (Editio Musica Budapest)
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Summary of This Score
Edition by Istvan Mariassy with figured bass and realization based on the 1713 Venice edition.
This score highlights the writing of Benedetto Marcello within a distinctly Baroque framework, presented with today's performers in mind. The inclusion of figured bass and realization facilitates the continuo work (harpsichord, organ, theorbo, viola da gamba, cello, depending on your ensemble), while providing a solid foundation to develop a stylistically coherent accompaniment.
Intended for the alto recorder (Alto Rec) with basso continuo (Bc), this edition is particularly suitable for musicians seeking a clear score for the stage, as well as for conservatory students wishing to deepen their understanding of musical rhetoric, line leading, and balance between soloist and continuo. The choice of a Venetian source dated 1713 grounds the whole in the language of the period and allows for an approach to interpretation with reliable reference points: phrasing, breathing, implicit dynamics, and articulation can be worked on precisely, serving the style.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Benedetto Marcello | Instrumentation | Alto Rec, Bc |
| Arranger | Istvan Mariassy | ||
Questions frequently asked
Is this sonata intended for alto recorder?
The indicated instrumentation is "Alto rec., Bc", meaning alto recorder with basso continuo.
Is the basso continuo figured and realized?
The figuration and its realization are included in the edition prepared by Istvan Mariassy. These elements provide a basis for the continuo accompaniment work.
What source was used for this edition of the Op. 2 sonatas?
The edition is based on the Venice edition dated 1713. This reference places the score within Benedetto Marcello's Baroque language.
What is Istvan Mariassy's role in this score?
Istvan Mariassy is credited as editor and arranger. The presentation includes his work on figuration and realization based on the Venetian 1713 source.
Can a piano provide the basso continuo for this score?
For the continuo, the description lists harpsichord, organ, theorbo, viola da gamba, and cello depending on the ensemble. The printed instrumentation remains alto recorder and basso continuo. The piano is not mentioned among the cited instruments.
