EMB (Editio Musica Budapest) SCHUBERT F. - AVE MARIA OP. 52 N. 4 - VIOLONCELLE ET PIANO
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EMB (Editio Musica Budapest)
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Summary of This Score
From the series Moments Musicaux for Violoncello, this score offers a piece of classical music for cello and piano, conceived for the joy of playing together and musical improvement. In a concise format (6 pages), it easily fits into a practice routine: setting the tempo, rhythmic precision, sound quality, and phrase construction. The dialogue between cello and piano makes it an excellent tool for developing listening skills, intonation, and balance of sound layers, whether in lessons, beginner chamber music, or audition preparation.
The transcription and edition by Pejtsik Arpad provide real reading comfort: a clear presentation helps focus on interpretation (articulation, musical breathing, dynamics) while facilitating coordination with the pianist. This score is well suited for cellists who wish to add a short, musical, and quickly usable piece to their repertoire while working on the fundamentals of duo playing: tempo stability, attack synchronization, transition management, and expression.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Arranger | Pejtsik Arpad | Genre | Classical score |
| Instrumentation | Cello and piano | Pages | 6 |
| Collection | Moments Musicaux for Violoncello | Year of publication | 1990 |
Questions frequently asked
Is this sheet music intended for cello and piano?
This edition is written for cello and piano. It belongs to the Moments Musicaux for Violoncello collection and consists of 6 pages.
Who arranged Schubert's Ave Maria for cello?
The arrangement is by Pejtsik Arpad, with a layout designed to facilitate reading and coordination with the pianist.
Is Ave Maria op. 52 no. 4 suitable for duet practice?
The piece allows for working on tempo stability and synchronization of attacks. The musical phrases also demand accurate intonation on the cello. Its use is recommended for lessons, beginner chamber music, or audition preparation.
What is the publication year of this edition?
The publication dates from 1990.
Which technical playing elements are addressed in this score?
The dialogue between the two instruments emphasizes balance of sonic layers, transitions, and dynamics.
