Eventide EQ65 Filter Set
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Manufacturer Information
Eventide
https://www.eventide.com
support@eventide.com
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What EQ65 Is For
EQ65 is a filter plugin intended for mixing and audio restoration, designed to eliminate problematic frequencies with extreme precision. Whereas a parametric equalizer often serves to shape an overall tone, EQ65 focuses on "magnified" treatment: resonances on a vocal, whistles and harsh harmonics, hums, frequencies that mask intelligibility, or even ring on a snare drum. Its approach using Band Pass (to isolate and listen to the area) then Notch (to cut it) makes it a formidable tool to achieve a cleaner, clearer, and more controlled mix without unnecessarily altering the rest of the signal.
Main Features
A Recreation of a Studio Filtering Classic
Inspired by the famous Urei 565 filter set, EQ65 captures the spirit of tools used for decades in studios to quickly correct targeted defects. The goal is clear: to help you de-emphasize or even eliminate selected frequencies in a recording, with a direct and musical manipulation logic.
Two Notch/Band Pass Modules for Ultra-Targeted Correction
The core of EQ65 is based on two switchable Notch/Band Pass filters. In practice, you can first switch to Band Pass to "scan" an area and precisely identify the offending frequency (resonance, feedback, metallic tone, whistle). Once the frequency is located, a simple toggle to Notch allows you to reduce it with very narrow Q settings, ideal for correcting without removing energy where it's not needed.
Attenuation Control with Depth Controls
To adapt the correction to the context (recording, arrangement, mix density), the Depth controls allow you to adjust the attenuation of the targeted frequency. By combining the notch filters and these depth controls, you get gradual reductions: from subtle attenuation to more pronounced suppression, all while maintaining control over the transparency of the result.
High Pass and Low Pass 36 dB/octave: Quick Cleanup, Clean Result
Complementing the surgical work, EQ65 includes High Pass and Low Pass filters that are particularly effective thanks to a 36 dB/octave slope. This steepness facilitates cleaning the low end (rumble, vibrations, plosives) or limiting the high end (hiss, harshness, artifacts), with a clear and precise action, very useful on vocals, guitars, overheads, synths, and effects buses.
Immediate Control and Ready-to-Use Presets
The plugin features an In/Out switch with indicator to instantly compare before/after and confirm that the correction serves the mix well. Several presets oriented towards instruments and special effects are also included, handy for quick starts, testing approaches, or recalling typical settings in a modern production workflow.
Technical specifications
| Type | Full software | Downloadable | Yes |
| Presets | multiple settings for instruments and special effects | Windows | Windows 10+ |
| macOS | 10.14+ (Intel and Apple Silicon) | ||
Questions frequently asked
Is the Eventide EQ65 Filter Set compatible with macOS and Windows?
Compatibility covers macOS 10.14 or later on Intel and Apple Silicon processors, as well as Windows 10 or later. The software is available for download.
How to remove a specific resonance on a vocal with EQ65?
The two switchable filters first isolate the problematic area in Band Pass mode. Switching to Notch mode then reduces the identified frequency with a narrow Q. The Depth controls adjust the amount of reduction.
Are the high-pass and low-pass filters steep enough to clean a mix?
The High Pass and Low Pass filters have a 36 dB per octave slope. This slope effectively reduces vibrations, plosives, hiss, or certain artifacts.
Can the ring of a snare drum or sibilance be treated?
The Band Pass then Notch approach targets snare drum resonances, sibilance, and harsh harmonics. Two filtering modules are available to work on multiple frequency areas.
Are there presets included in this Eventide plugin?
Several presets dedicated to instruments and special effects are included. An In/Out switch with an indicator allows comparing the processed and unprocessed signals.




