EVH 5150iii 15W LBX-S Head Black 230V Eur
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3.5W
W
- This item is covered for 3 years
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EVH
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A "Stealth" version designed as a cross between LBXI/LBXII
The EVH 5150III LBX-S follows the line of compact heads inspired by the 5150 sound, offering a very musical balance between versatility and immediacy. Designed as a crossover between the LBXI and LBXII approaches, this "Stealth" version combines a green channel focused on clarity and touch, and a red channel designed for the most straightforward saturations. All housed in an ultra-portable chassis, with a dark and distinctive visual identity, true to the EVH aesthetic.
Who is the LBX-S for, and in what contexts does it make a difference?
This head is aimed at guitarists who want a compact all-tube amp capable of covering everything from home playing to rehearsals and stage (with the right cabinet and good volume management). In an apartment, the 3.5W mode helps enjoy tube tone without turning the living room into a concert hall. In the studio, it becomes an excellent platform for recording tight rhythms and sustained leads, while maintaining precise attack.
Style-wise, the LBX-S excels in modern rock, hard rock, metal, and all variants requiring defined distortion, but its green channel also allows for clean tones and crunches leaning more towards blues/rock when the gain is pushed. If you like switching from an articulate clean sound to massive saturation with the footswitch, this is exactly its playground.
Channels, settings, and features: a compact but truly complete head
The LBX-S offers two channels accessible via a 1-button footswitch. The green channel covers a wide range: from crystalline clarity to a thicker, more expressive crunch as gain is increased, ideal for biting rhythms or more rootsy parts. The red channel is tailored for "full burn" saturation: controlled compression, generous sustain, and an abundant gain feel that remains clear for palm-mutes and extended chords.
To keep a minimal format without sacrificing control, EVH integrates dual concentric potentiometers : you have independent Gain and Volume controls for each channel, handy for precisely balancing the level between clean/crunch and lead. Presence equalization is handled via shared Presence and Resonance controls, useful for adjusting brightness, top-end openness, and bass foundation depending on the cabinet, room, and volume.
The head is also equipped with an effects loop to place delays, reverbs, and modulations after the saturation, and two parallel speaker outputs to adapt to different cabinet configurations. Finally, the 15W / 3.5W power switch is not just designed for playing quieter: it can also be used to achieve a more "spongy," tighter, and more compressed response at a more reasonable volume, highly appreciated for certain studio takes.
In terms of finish, the LBX-S stands out with its black front panel and black metal grille featuring the EVH Stealth pattern, along with an internal LED backlight that illuminates the cage in green or red depending on the selected channel. A special feature of the Stealth models: the head is modified to include an adjustable bias control port, a real plus for advanced users and maintenance.
A high-quality fitted cover is available as an accessory (sold separately).
Sound
Fully all-tube, the LBX-S focuses on a lively grain, with a very "guitar-like" response under the fingers: sharp attack, pick-sensitive dynamics, and saturation that naturally thickens as the amp is pushed. The green channel offers a clean, bright tone with enough body to handle pedals (overdrive, fuzz, compressor) and move towards a more bluesy crunch when gain is increased. The red channel delivers a modern, aggressive distortion with a distinctly EVH character: tight, incisive, and designed to maintain definition even at high gain, with long sustain and a very controllable "wall" of sound at volume.
The tube configuration clearly contributes to this sound: the 4 x JJ ECC83S (12AX7) preamp tubes provide precision and harmonic richness, while the 2 x JJ EL84 power tubes offer musical compression and effective projection, particularly satisfying at rehearsal volume or mic'd on a well-chosen cabinet.
Technical specifications
| Category | Guitar amp head | Category | Amplifier |
| Technology | Tubes | Number of channels | 2 |
| Effects loop | Yes | EQ | 3 channels |
| Amp tubes | 2 x EL84 | Color | Black |
| Pre-amp tubes | 4 x 12AX7 | Finishing | Steel |
| Attenuator | Yes | Power output | 15 W |
| Amplifier type | Tube | Shared controls | Presence and Resonance |
| Power | 15W | Input | 1 x 6.35mm Jack |
| Power reduction | 3.5W (via switch) | Speaker outputs | 2 parallel jacks |
| Rectifier | Solid State | Total impedance | 4, 8, or 16 ohms |
| Power tubes | 2 x JJ EL84 | Cabinet | aluminum/steel chassis |
| Preamp tubes | 4 x JJ ECC83S (12AX7) | Handle | vinyl with metal insert and black end caps |
| Channels | 2 (green and red), switching via footswitch | Lighting | internal LED (green/red depending on channel) |
| Controls | Gain and Volume independent per channel (dual concentric potentiometers) | Adjustable bias control port | yes |
Questions frequently asked
Is the EVH 5150III LBX-S head suitable for home use?
The power switches between 15 W and 3.5 W via a switch. The 3.5 W mode allows utilizing the tube response at a lower volume level. The power section uses 2 JJ EL84 tubes.
What tones do the green and red channels offer?
The green channel covers clean sounds and crunch by increasing the gain. The red channel is dedicated to high-gain distortion, with a defined attack for rhythm and lead playing.
Is there an effects loop?
An effects loop allows placing delay, reverb, or modulation after the preamp distortion.
What speaker impedance is suitable for this 15 W head?
The two parallel speaker outputs accept a total impedance of 4, 8, or 16 ohms. A compatible cabinet must be connected before using the head.
Which tubes and controls are included in this EVH head?
The preamp section includes 4 JJ ECC83S (12AX7) tubes, while the power amplification is based on 2 JJ EL84 tubes. Each channel has its own Gain and Volume controls via dual concentric potentiometers. The Presence and Resonance settings are shared between the two channels.



