Fentone Music The Baroque Recorder
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Fentone Music
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Summary of This Score
The Baroque Recorder is a work designed for recorder players who wish to approach or deepen their knowledge of the Baroque repertoire with a musically and stylistically coherent approach. You will find a selection of pieces representative of the Baroque aesthetic, from major composers, allowing you to work on both musicality and the technical reflexes specific to the instrument: line shaping, breathing, "spoken" articulation, flexibility of attacks, and balance of sound layers.
A key strength of this score lies in the presentation of the accompaniment: offered in a written version (convenient for quick setup) and in figured bass (ideal for developing a true continuo culture). This dual reading suits both conservatory students and musicians already familiar with Baroque practice, and facilitates working with different partners. Whether you play with a pianist in lessons, a harpsichordist in an ensemble, or in an audition context, the work maintains great flexibility of use while upholding stylistic demands. The whole emphasizes a respectful interpretation of the period, aiming for an expressive, clear, and naturally dance-like result.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Various Baroque composers | Genre | Classical score - Baroque music |
| Instrumentation | Recorder with accompaniment (figured bass or written) for piano or harpsichord | ||
Questions frequently asked
What instrumentation is intended in The Baroque Recorder?
The book is designed for recorder with accompaniment for piano or harpsichord.
Is the accompaniment available in figured bass?
Two accompaniment formats are offered: a written version and a figured bass. The latter allows practicing continuo with a harpsichord partner.
Which composers are featured in this Baroque recorder score?
The selection brings together pieces by various Baroque composers representative of the period's aesthetic.
Is this score suitable for work in a conservatory?
The dual notation of the accompaniment facilitates working with a pianist during lessons. The book is suitable for conservatory students as well as musicians familiar with Baroque practice. The pieces allow practice of breathing, spoken articulation, and melodic line shaping.
Can these pieces be performed with a harpsichordist?
The figured bass allows realization of the accompaniment on harpsichord in ensemble or audition contexts.
