Furore Mulsant Florentine - Sonate Pour Piano - Hommage A Domenico Scarlatti
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Furore
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Summary of This Score
This piano score is based on a very structured conception of sonata form as encountered in the early 17th century, strictly respecting a two-part organization. Both listener and performer find the expected formal landmarks, notably the presence of ritornellos, which structure the discourse and clarify the progression.
Within this framework, the piece allows for freedom of substance: harmony, melodic line, and rhythmic impulses depart from historical stylistic reflexes to adopt a more fluid and contemporary language. The writing aims for a sensation of "fluid" continuity, while echoing Viennese pointillism, suggesting clear articulation, chiselled attacks, and a play of colors where every sound event counts. An excellent concert piece for advanced pianists, ideal for working on precision, the management of sound planes, and the readability of large forms.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Edition | score | Difficulty | advanced |
| Instrumentation | piano | Year of publication | 1995 |
Questions frequently asked
What level is required to play this piano sonata?
The difficulty indication "advanced" designates this score for advanced pianists.
Is the sonata structured in two parts?
The writing follows a strict two-part organization, derived from the sonata form concept at the beginning of the 17th century. Ritornellos structure the musical discourse and the formal markers.
What is the musical style of this score?
The harmonic, melodic, and rhythmic language moves away from historical reflexes to adopt a more contemporary writing. A fluid continuity is sought, with an evocation of Viennese pointillism in articulation and attacks.
Which edition and year of publication are indicated?
Published in 1995, this score is offered in "score" edition. The specified instrumentation is piano. The indicated musical genre is classical.
Does Furore Mulsant Florentine pay tribute to Domenico Scarlatti?
The reference to Domenico Scarlatti appears in the work's subtitle. The formal two-part construction and the use of ritornellos place this sonata in a dialogue with historical references.
