Hal Leonard B.b.king - Signature Licks + Audio En Ligne - Guitar Tab
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Hal Leonard
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Summary of This Book
This collection offers a structured explanation of B.B. King's style, with a progressive analysis of the essential techniques found in his songs: note articulation, playing intentions, dynamics control, and blues phrase construction. The goal is to help you understand "how he speaks" on the guitar, so you can integrate these reflexes into your own musical language, whether you play electric blues, shuffle, or slower tempos.
Each song serves as a basis for concrete study: you work on characteristic passages using sheet music in both standard notation and tablature to precisely visualize positions, fingerings, and movements. This method emphasizes efficiency: learning authentic musical ideas, improving your soloing sense, and developing a more expressive playing style (accurate bends, controlled vibrato, clean attacks), all accompanied by English text.
Titles:
Beautician Blues
Cryin' Won't Help You
Don't Answer The Door
Five Long Years
Just Like A Woman
Paying The Cost To Be The Boss
Please Love Me
Riding With The King
Rock Me Baby
Sweet Little Angel
Sweet Sixteen
The Thrill Is Gone
Three O'clock Blues
Why I Sing The Blues
You Done Lost Your Good Thing Now
You Upset Me Baby
Technical specifications
| Publication | Methods | ||
| Arranger | Wolf Marshall | Genre | blues guitar method |
| Artist | B.B. King | Language | English |
| Instrumentation | guitar | ||
Questions frequently asked
Which B.B. King songs are studied in this method?
The collection covers 16 titles, including The Thrill Is Gone, Rock Me Baby, Sweet Little Angel, and Three O'clock Blues. Each piece serves as a basis for studying characteristic passages.
Does the B.B. King Signature Licks method include tablature?
The scores are provided in standard notation and guitar tablature. Positions, fingerings, and movements can thus be visualized precisely.
What blues playing techniques are covered?
The book analyzes note articulation, playing intentions, and blues phrase construction. Bends, vibrato, and attacks are worked on to develop expressive playing. The study notably relies on the tracks Paying The Cost To Be The Boss and You Upset Me Baby.
Is this method suitable for working on slow blues solos?
The studies cover electric blues, shuffle, and slower tempos. The track The Thrill Is Gone is included in the selection offered.
Is the text of this guitar method in French?
The language of the book is English, with Wolf Marshall credited as the arranger.
