Hal Leonard Etezady Roshanne - Streetlegal - Saxophone Soprano & Piano
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Hal Leonard
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Summary of This Score
This score is part of a creative process commissioned by Timothy McAllister and Kathryn Goodson, two performers whose involvement in contemporary music emphasizes artistic rigor and sonic exploration. A commission is never trivial: it generally reflects a desire to expand the repertoire, explore new colors, and result in a work designed to be carried by musicians invested in creation.
Published by Lauren Keiser Music Publishing, this musical edition provides a serious editorial framework, appreciated by instrumentalists, teachers, and programmers. It naturally fits into a library focused on contemporary scores, complementing a classical, modern, and current collection, and can be an excellent resource to support an interpretation project, sight-reading work, or the construction of a program highlighting musical creation.
Whether you are a performer searching for repertoire, a teacher wishing to offer a commissioned work, or a musician curious about current aesthetics, this score offers direct access to a piece whose origin emphasizes collaboration between composer and performers. A valuable addition to any score library oriented toward today's music.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Edition | Lauren Keiser Music Publishing | ||
Questions frequently asked
For which ensemble is Roshanne Etezady's Streetlegal written?
The score is intended for soprano saxophone with piano accompaniment.
Who commissioned this work for soprano saxophone and piano?
The work was commissioned by Timothy McAllister and Kathryn Goodson. Their involvement is associated with contemporary creation and sound research.
Is Streetlegal a classical music score?
This edition is classified in the classical genre. It belongs to a repertoire oriented towards contemporary music.
Which publisher publishes Roshanne Etezady - Streetlegal - Soprano Saxophone & Piano?
The publication is handled by Lauren Keiser Music Publishing.
Is this score suitable for working on a contemporary program?
Its origin, linked to a commission for Timothy McAllister and Kathryn Goodson, places it within a creative process. It can be used to practice reading a current work. Its instrumentation combines soprano saxophone and piano.
