Hal Leonard Friedrich Seitz Complete Pupil S Concertos Nos.1-5 - Violin
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Summary of This Score
Friedrich Seitz: Complete Pupil's Concertos Nos. 1-5 brings together all of Friedrich Seitz's student concertos (Nos. 1 to 5) in an edition designed to support the violinist's progression. Written with a distinctly pedagogical approach, these concertos allow working on the fundamentals of playing in a real musical context: phrasing, bowing techniques, rhythmic placement, position shifts, as well as constructing a soloist's line supported by piano accompaniment.
The edition has been faithfully revised and fingered by Philipp Mittell, a concrete advantage for saving time during lessons and securing technical transitions. The violin-piano duo makes preparation accessible, whether for a session with a teacher, a rehearsal with a pianist, or a performance goal (student concert, competition, exam).
You will find: Pupil's Concerto No. 1 in D Op. 7, Pupil's Concerto No. 2 in G Op. 13, Pupil's Concerto No. 3 in G Minor Op. 12, Pupil's Concerto No. 4 in D Op. 15, Pupil's Concerto No. 5 in D Op. 22. An essential choice of classical repertoire to enrich the violin study program with works that are both formative and rewarding to perform.
Technical specifications
| Musical Genre | Classical | Publication | Sheet music |
| Composer | Friedrich Seitz | Instrumentation | violin and piano |
| Arranger | Philipp Mittell | Genre | classical score (educational concertos) |
Questions frequently asked
Which Friedrich Seitz concertos are included in this violin collection?
The collection brings together the Pupil’s Concertos No. 1 in D major Op. 7, No. 2 in G major Op. 13, and No. 3 in G minor Op. 12. It also includes Concertos No. 4 in D major Op. 15 and No. 5 in D major Op. 22.
Is this Seitz score intended with piano accompaniment?
The indicated instrumentation is violin and piano, with a solo part supported by piano accompaniment.
Is the edition fingered for violin?
The revision and fingerings are by Philipp Mittell. These indications apply to all five concertos gathered in the volume. They help prepare technical transitions with an editorial guide already established.
Which violin techniques can be practiced with Seitz’s student concertos?
The five concertos address phrasing, bowing techniques, and rhythmic placement. Passages in position and the construction of a soloistic line are also part of the work offered.
For which study contexts is this Seitz collection Nos. 1 to 5 suitable?
This score can be used during lessons with a teacher, rehearsals with a pianist, or preparation for student concerts. The works may also serve as repertoire for competitions or exams.
